The Mirror of Taste, and Dramatic Censor, Vol. I, No. 1, January 1810
General
The Mirror of Taste, and Dramatic Censor, Vol. I, No. 1, January 1810
Drama -- Periodicals; Theater -- Periodicals
Disappointed and chagrined, but not humiliated, he returned back to
London, more determinately than ever resolved to persevere till he had
mastered fortune and established a footing on the stage--exhibiting a
degree of confidence which generally inheres in genius, and which his
ultimate success well justified. Far from being depressed or obscured by
his Edinburgh adventure, his talents had so much unfolded themselves and
been so visibly improved, that his friends Godwin and Holcroft felt
convinced he had not mistaken or overrated his powers; but, on the
contrary, possessed qualifications, which, if diligently and judiciously
cultivated, would raise him to a rank with the most eminent actors then
living. The great bar to his advancement was that diffidence which
occasioned his discomfiture in Edinburgh: but his friends knew enough of
the human heart and powers to be assured that that very diffidence is so
universally the concomitant of sterling merit, that where it
superabounds wise men give credit for much excellence, and bestow their
partiality with a liberal hand; while the want of it is generally
suspected of denoting a great deficiency in merit: and they were right;
for the young person who wants modesty wants every thing. Fraught with
these considerations, those discerning men and steady friends thought
that they would best consult their _protege's_ interest by putting him
into training in some obscure company, and took measures to introduce
him into a routine of acting in the country theatres, from which
novitiate they expected he would soon emerge well practised in stage
business, and fully qualified to give out the whole force of his natural
powers on some of the stages of the metropolis.
Public-domain text, read in full here on John Shaqi.
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