The Mirror of Taste, and Dramatic Censor, Vol. I, No. 2, February 1810Arnold, Samuel James
History
The Mirror of Taste, and Dramatic Censor, Vol. I, No. 2, February 1810
Arnold, Samuel James
Drama -- Periodicals; Theater -- Periodicals
It is as much
inferior to the old one--to that of Garrick, Barry, Mossop, and nature,
as the block of marble from which the Farnesian Hercules was hewed, is
to the god himself. Of its superiority we need urge no farther proof
than that of Mr. Cooke, who, though assuredly inferior to several of the
old stock, and groaning under unexampled intemperance, has in spite of
every impediment which artful jealousy and envy of his talents could
raise against him, risen so high in public estimation, that even when
just reeking from offences which would not have been endured in Garrick
or Barry, his return is hailed with shouts, as if it were a national
triumph. And why?--because he is of the old school, and scorns the
cajolery of statue-attitude and stage-trick.
[Footnote 1: Had Mr. Cooper entered on the profession in the days of
Garrick, we are persuaded he would, with the advantage of that great
man as a model, and the scientific Macklin as an instructor, have been
one of the first actors that ever existed.]
We speak thus freely to Master Payne because we think he has talents
worth the interposition of criticism, and if we speak at all, must speak
the whole truth. The praise we give him might well be distrusted, if
from any false delicacy we slurred over his defects and errors. The most
dangerous rock in his way will be adulation. Sincerely we wish him to be
assured that those who mix their applause with a proper alloy of censure
are his best friends. Indiscriminate flatterers are no better than the
snake which besmears its prey with slime, only to gorge it the more
easily.
On reviewing what we have written, we find no observation on Master
Payne's voice, in which nature has been very bountiful to him. We heard
him a few times, with no little pain strain it out of its compass. He
need not do so; since, judiciously managed, it is equal to all the
purposes of his profession. Those are dangerous experiments, by which
he may spoil a voice naturally clear, melodious, and of tolerable
compass. His pronunciation is at times hurtful to a very nice ear. He is
not to imagine that he has spoken as he ought when he has uttered words
as they are pronounced in general conversation. There are some, and high
ones too, who will say "good boy" when they mean "goodbye;" and it would
not be at all impossible to hear a very fine lady say that she was daown
in taown, to buy a gaown. We do not accuse Master Payne of this; but at
times a little of the _a_ cheats the _o_ of its good old round rights;
so distantly however, as not to be noticed except by a very accurate
ear--but he ought not to let _any ear_ discover it.
Public-domain text, read in full here on John Shaqi.
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