The Mirror of Taste, and Dramatic Censor, Vol. I, No. 2, February 1810Arnold, Samuel James
History
The Mirror of Taste, and Dramatic Censor, Vol. I, No. 2, February 1810
Arnold, Samuel James
Drama -- Periodicals; Theater -- Periodicals
To the correct orthoepist, several persons on the stage give offence in
the pronunciation of the pronoun possessive MY--speaking it in all cases
with the full open Y, as it would rhyme to _fly_, which should only be
when it is put in contradistinction to _thy_ or _his_, or any other
pronoun possessive: in all other cases it should be sounded like _me_.
This is a pure Americanism, not practised in any other place where the
English language is spoken, and, so far as it goes, deprives the word of
a quality of nice distinctness.
It gives us great pleasure to communicate to our readers the
intelligence that Master Payne's success at Richmond, even surpassed
that which he had met before. From a letter submitted to our perusal we
have, with permission, made the following extract: "Wednesday night
Payne arrived; Thursday was the first day of his performance; the other
nights, being Saturday, Monday, Tuesday, Wednesday, Thursday, Friday and
Saturday, when the house closed for the season; and on Sunday he
departed in the mail stage. This flying visit (of ten days only)
produced him upwards of SEVENTEEN HUNDRED DOLLARS!!"
* * * * *
It was our intention to confine our remarks on this occasion entirely to
Master Payne. It seemed to us that the interest taken by the public in
this native plant, the novelty of his appearance, and, indeed, his own
merits, laid claim to a very particular discussion of his performances:
but as we read over the play for that purpose, Mr. M'Kenzie's _Old
Norval_ forced itself so imperiously upon our remembrance, that we could
not drop the subject without doing justice to that gentleman's
performance and our own feelings. It was a specimen of acting and
speaking we little expected to meet with: masterly, chaste, and
exquisitely affecting; no less gratifying to the critical ear than to
the feeling heart. We particularly admired his attestation to heaven of
his innocence:
As I hope
For mercy before the judgment seat of heaven
The tender lamb that never nipt the grass
Is not more innocent than I of murder.
And his pathetic supplication for mercy:
Oh, gentle lady! by your lord's dear life,
Which these weak hands, I swear, did ne'er assail,
And by your children's welfare spare my age!
Let not the iron tear my aged joints,
And my gray hairs bring to the grave with pain.
The first of these he poured forth with an expression of simple
sincerity, and the second with a gentle earnestness, so humble, so
passionately moving, that none but the most hardened hearts could resist
it. Even the gallery felt its force and made the house resound with its
rude applause--'twas well; and we may say with Pierre,
We could have hugged the greasy rogues; they pleased us.
Public-domain text, read in full here on John Shaqi.
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