The Mirror of Taste, and Dramatic Censor, Vol. I, No. 2, February 1810Arnold, Samuel James
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The Mirror of Taste, and Dramatic Censor, Vol. I, No. 2, February 1810
Arnold, Samuel James
Drama -- Periodicals; Theater -- Periodicals
As in the two former passages Mr. M'Kenzie presented a specimen of
exquisitely pathetic expression, so he evinced his skill and powers of
speaking in that speech which may be called the pride of the
play--perhaps of all Scottish poetry too, in which he relates the
finding of the child:
One stormy night, as I remember well,
The wind and rain beat hard upon our roof;
Red came the river down, and loud and oft
The angry spirit of the water shriek'd, &c.
Lord Randolph is a character of which we doubt whether Cooke himself
could make any thing. Mr. Warren did all that is usually done for him.
Partial as we are to Mr. Wood's acting generally, we did not perceive in
his performance of Glenalvon any thing to please us very much, or
augment his reputation.
In Lady Randolph, Mrs. Barrett would deserve much commendation, if she
could get rid of a few faults in her speaking. Her feelings and personal
appearance are finely adapted to the character.
* * * * *
A correspondent at Baltimore, of whose judgment we think highly, has
sent us the following communication, and expressed a wish that we should
publish it--at the same time acknowledging that it had been printed in
some periodical paper. As we wish to oblige our correspondent, and there
is no opinion in it which, according to our present idea of the company
violently militates against our own, we give it a place.
While so interesting a scene is now acting upon the great theatre of the
world, and as the chief performer has recently closed one of the acts
with a very important incident, it may, by many be considered as a
relaxation, to employ a few minutes in taking a concise view of our own
little theatre; the leader of which has also so lately closed his
campaign in Baltimore.
I am the more desirous of offering a few remarks upon this subject, from
having occasionally heard observations indicating some disapprobation
relative to our theatrical arrangements. Such impressions, we flatter
ourselves, a little more information upon the subject, and a candid
reconsideration will do away. From a knowledge of the state of the
theatres in other parts of the continent, we feel ourselves perfectly
safe in declaring, that ours is most unquestionably entitled to the
first place, whether we have reference to the performers composing the
company, the scenery, dresses, decorations or music.
In tragedy and genteel comedy, Mr. Wood must certainly be considered
preeminent, with the exception of Mr. Cooper only, who though perhaps[2]
excelling him in some tragical characters, is considered by many good
judges, as by no means his superior in many appertaining to genteel
comedy.
[Footnote 2: Perhaps!!! Mr. Wood we dare say has too much good sense
to relish this _perhaps_, it rather savours of irony.]
Public-domain text, read in full here on John Shaqi.
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