The Mirror of Taste, and Dramatic Censor, Vol. I, No. 6, June 1810
History
The Mirror of Taste, and Dramatic Censor, Vol. I, No. 6, June 1810
Drama -- Periodicals; Theater -- Periodicals
No man was held in higher respect than Accius. He received the greatest
marks of honour at Rome. A high magistrate severely reprimanded a man
for uttering the name of Accius without reverence; and an actor was
punished for mentioning his name on the stage. His exalted opinion of
his own dignity may be inferred from the following anecdote respecting
him, transmitted to posterity by Valerius Maximus. Once when Julius
Caesar entered an assembly of poets, Accius alone abstained from rising
to do him homage. He respected Caesar as much as any of them, but he
thought that in an assembly of the learned, the superiority lay on the
part of the poets, and the grandeur of the greatest conqueror was
diminished before the lustre of the best writer.[B]
As the writings of Livius Andronicus, Pacuvius and Accius constitute the
first epoch in the Roman drama, they are generally spoken of together,
and the best critics of antiquity mention them with high commendation
and respect. Of the first, much less is known than of the other two. He
is nowhere, that we know of, spoken of directly, but often collaterally.
He is sometimes coupled with Ennius--the praise of invention is
generally allowed him, and his name is brought forward by Horace rather
for the purpose of marking an aera than of giving an opinion of his
talents.
Ambigitur quoties uter utro fit prior; aufert
Pacuvius docti famam senis, Actius alti:
Dicitur Alfrani toga convenisse Menandro;
Plautus ad exemplar siculi properare Epicharmi,
Vincere Coecilius gravitate, Terentius arte
Hos ediscit, et hos areto stipata theatro
Spectat Roma potens: habet nos numeratque poetas
Ad nostrum tempus, LIVI scriptoris ab aevo.[C]
From which lines it appears that in the time of Horace learning was
considered to be the characteristic feature of Pacuvius and loftiness of
thought that of Accius; and Quintilian speaks of both in the following
terms. "Those splendid writers combined sublimity of conception with
vigorous style in their tragedies; and on the whole if they have not
diffused through their compositions more gracefulness, it was not their
fault, but the fault of the age they lived in."
Public-domain text, read in full here on John Shaqi.
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