The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and BeautyLady of distinction, active 19th century
History
The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and Beauty
Lady of distinction, active 19th century
Beauty, Personal; Clothing and dress -- Great Britain -- History -- 19th century; Etiquette -- Great Britain
I am aware of your expectations, that I would give the precedence,
in this dissertation, to the eye. I subscribe to its supereminent
dignity; for none can deny that it is regarded by all nations as the
faithful interpreter of the mind, as the window of the soul, the index
in which we read each varied emotion of the heart; it is, indeed, the
“spirit’s throne of light.” But how increased an expression does this
intelligent feature convey, when aided by the glowing tints of an
eloquent complexion! Indeed, it is the happy coincidence of the eye and
the complexion which forms the strongest point of what the French call
_contenance_.
The animated changes of sensibility are nowhere more apparent than in
the transparent surface of a clear skin. Who has not perceived, and
admired, the rising blush of modesty enrich the cheek of a lovely girl,
and, in the sweet effusion, most gratefully discern the true witness
of the purity within? Who has not been sensible to the sudden glow on
the face, which announces, ere the lips open, or the eye sparkles, the
approach of some beloved object? Nay, will not even the sound of his
name paint the blooming cheek with deeper roses?
“Who hath not owned, with rapture-smitten frame,
The power of grace, the magic of a name?”
Shall we reverse the picture? I have shown how the soul proclaims her
joy through its wondrous medium; shall she speak her sorrows too? Then
let us call to mind, who have beheld the deadly paleness of her who
learns the unexpected destruction of her dearest possessions! Perhaps
a husband, a lover, or a brother, mingled with the slain, or fallen,
untimely, by some dreadful accident. Sudden partings like these
“Press the life from out young hearts.”
We see the darkened, stagnant shade which denotes the despair-stricken
soul. We behold the livid hues of approaching frenzy, or the blacker
stain of settled melancholy! Heloisa’s face is paler than the marble
she kneels upon. In all cases the mind shines through the body; and
according as the medium is dense or transparent, so the light within
seems dull or clear.
Public-domain text, read in full here on John Shaqi.
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