The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and Beauty — John Shaqi
The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and BeautyLady of distinction, active 19th century
History
The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and Beauty
Lady of distinction, active 19th century
Beauty, Personal; Clothing and dress -- Great Britain -- History -- 19th century; Etiquette -- Great Britain
Penciling eye-brows, staining them, &c., are too clumsy tricks of
attempted deception, for any other emotion to be excited in the mind
of the beholder, than contempt for the bad taste and wilful blindness
which could ever deem them passable for a moment. There is a lovely
harmony in nature’s tints, which we seldom attain by our added
chromatics. The exquisitely fair complexion is generally accompanied
with blue eyes, light hair, and light eye-brows and lashes. So far
all is right. The delicacy of one feature is preserved in effect and
beauty by the corresponding softness of the other. A young creature,
so formed, appears to the eye of taste like the azure heavens, seen
through the fleecy clouds on which the brightness of day delights to
dwell. But take this fair image of the celestial regions, draw a black
line over her softly-tinctured eyes, stain their beamy fringes with a
sombre hue, and what do you produce? Certainly a fair face with _dark_
eye-brows! But that feature, which is an embellishment to a brunette,
when seen on the forehead of the fair beauty, becomes, if not an
absolute deformity, so great a drawback from her perfections, that the
harmony is gone; and, as a proof, a painter would immediately turn from
the change with disgust.
Nature, in almost every case, is our best guide. Hence the native
color of our own hair is, in general, better adapted to our own
complexions than a wig of a contrary hue. A thing may be beautiful in
itself, which, with certain combinations, may be rendered hideous. For
instance, a golden-tressed wig on the head of a brown woman, makes
both ridiculous. By the same rule, all fantastic tricks played with
the mouth or eyes, or motions of the head, are absurd, and ruinous to
beauty. They are solecisms in the works of nature.
In Turkey, it happened to be the taste of one of its great monarchs,
to esteem large and dark-lashed eyes as the most lovely. From that
time, all the fair slaves of that voluptuous region, when nature has
not bestowed “the wild-stag eye in sable ringlets rolling,” supply the
deficiency with circles of antimony; and so, instead of a real charm,
they impart a strange artificial ghastliness to their appearance.
Public-domain text, read in full here on John Shaqi.
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