The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and BeautyLady of distinction, active 19th century
History
The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and Beauty
Lady of distinction, active 19th century
Beauty, Personal; Clothing and dress -- Great Britain -- History -- 19th century; Etiquette -- Great Britain
Our countrywomen, in like manner, when a celebrated _belle_ came under
the pencil of Sir Peter Lely, who exhibited to her emulative rivals
the sweet peculiarities of her long and languishing eye, they must
needs all have the same; and not a lady could appear in public, be her
visual orbs large or small, bright or dull, but she must affect the
soft sleepiness, the tender and slowly-moving roll of her subduing
exemplar. But though Sir Peter’s gallant pencil deigned to compliment
his numerous sitters by drowning their strained aspects after the model
of the peerless _belle_, yet, in place of the nature-stamped look of
modest languishment, he could not but often recognize the disgraceful
leer and hideous squint. Let every woman be content to leave her eyes
as she found them, and to make that use of them which was their design.
They were intended to see with, and artlessly express the feelings of
a chaste and benevolent heart. Let them speak this unsophisticated
language, and beauty will beam from the orb which affectation would
have rendered odious.
Analogy of reasoning will bring forward similar remarks with regard to
the movements of the mouth, which many ladies use, not to speak with or
to admit food, but to show dimples and display white teeth. Wherever
a desire for exhibition is discovered, a disposition to disapprove
and ridicule arises in the spectator. The pretensions of the vain are
a sort of assumption over others, which arms the whole world against
them. But, after all, “What are the honors of a painted skin?” I hope
it will be distinctly understood by my fair friends, that I do not, by
any means, give a general license to painting; on the contrary, that
even rouge should only be resorted to in cases of absolute necessity.
GENERAL THOUGHTS ON DRESS AND PERSONAL DECORATION.
“Costly your habit as your purse can buy,
But not expressed in fancy; rich, not gaudy,
For the apparel oft proclaims the woman.”
SHAKSPEARE.
Every person of just observation, who looks back on the fashions of our
immediate ancestors, and compares their style of dress with that of the
present times, will not hesitate to acknowledge the evident improvement
in ease and gracefulness. When I say this, I mean to eulogize the taste
which yet prevails with persons of real judgment, to maintain the _ease
and gracefulness_ of our assumed Grecian mode, against a new race of
stay-makers, corset-inventors, &c., who have just armed themselves with
whalebone, steel, and buckram, to the utter destruction of all the
naturally-elegant shapes which fall into their hands.
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