The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and BeautyLady of distinction, active 19th century
History
The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and Beauty
Lady of distinction, active 19th century
Beauty, Personal; Clothing and dress -- Great Britain -- History -- 19th century; Etiquette -- Great Britain
Female youth, of airy forms and fair complexions, ought to reject, as
too heavy for their style of figure, the use of gems. Their ornaments
should hardly ever exceed the natural or imitated flowers of the
most delicate tribes. The snow-drop, lily of the valley, violet,
primrose, myrtle, Provence rose,--these and their resemblances, are
embellishments which harmonize with their gaiety and blooming years.
The colors of their garments, when not white, should be the most tender
shades of green, yellow, pink, blue, and lilac. These when judiciously
selected, or mingled, array the graceful wearer, like another Iris,
breathing youth and loveliness.
Should a young woman, of majestic character, inquire for appropriate
apparel, she will find it to correspond with her graver and more
dignified mien. Her robes should always be long and flowing, and more
ample in their folds than those of her gayer sister. Their substance
should also be thicker, and of a soberer color. White is becoming to
all characters, and not less so to Juno than to Venus; but when colors
are to be worn, I recommend to the lady of majestic deportment, to
choose the fuller shades of yellow, purple, crimson, scarlet, black,
and gray. The materials of her dress in summer, cambrics, muslins,
sarcenets; in winter, satins, velvets, broadcloth, &c. Her ornaments
should be embroidery of gold, silver, and precious stones, with fillets
and diadems of jewels, and waving plumes.
The materials for the winter dresses of majestic forms, and
lightly-graceful ones, may be of nearly similar texture, only
differing, when made up, in amplitude and abundance of drapery. Satin,
Genoa velvet, Indian silks, and kerseymere, may all be fashioned
into as becoming an apparel for the slender figure as for the more
_embonpoint_; and the warmth they afford is highly needful to preserve
health during the cold and damps of winter. When it is so universally
acknowledged, the indispensable necessity of keeping the body in a just
temperature between heat and cold, I cannot but be astonished at the
little attention that is paid to so momentous a subject by the people
of this climate. I wonder that a sense of personal comfort, aided by
the well-founded conviction that health is the only preservative of
beauty, and lengthener of youth, that it does not impel women to prefer
utility before the absurd whims of an unreasonable fashion.
To wear gossamer dresses, with bare necks and naked arms, in a hard
frost, has been the mode in this country, and unless a principle is
made against it, may be so again, to the utter wretchedness of them,
who, so arraying their youth, lay themselves open to the untimely
ravages of rheumatisms, palsies, consumptions, and death.
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