The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and Beauty — John Shaqi
The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and BeautyLady of distinction, active 19th century
History
The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and Beauty
Lady of distinction, active 19th century
Beauty, Personal; Clothing and dress -- Great Britain -- History -- 19th century; Etiquette -- Great Britain
While fine taste, as well as fashion, decrees that the beautiful
outline of a well-proportioned form shall be seen in the contour of
a nicely-adapted dress, the divisions of that dress must be few and
simple. But, though the hoop and quilted petticoat are no longer
suffered to shroud in hideous obscurity one of the loveliest works in
nature, yet all intermediate covering is not to be banished. Modesty,
on one hand, and Health, on the other, still maintain the law of “fold
on fold.”
Some of our fair dames appear, summer and winter, with no other shelter
from sun or frost, than one single garment of muslin or silk over their
chemise--_if they wear one!_ but that is often dubious. The indelicacy
of this mode need not be pointed out; and yet, O shame! it is most
generally followed. However, common as the crime is, (for who will say
that it is not a sin against modesty?) it is quickly visited with its
punishment. It loses its aim, if it hopes to attract the admiration of
manly worth. No eye but that of a libertine can look upon so wanton a
figure with any other sensations than those of disgust and contempt:
and the end of all her arts being lost, the certainty of an early old
age, chronic pains, and deeply-furrowed wrinkles, is thus incurred in
vain.
No woman, even in the warmest flush of youth, ought to be prodigal of
her charms; she should not “unmask her beauties to the moon;” or unduly
expose the vital fluid, which animates her frame with life and joy. A
momentary blast from the east may pierce her filmy robes, wither her
bloom, and lay her low.
The _Chemise_ (now too frequently banished) ought to be held as sacred
by the modest fair as the vestal veil. No fashion should be able to
strip her of that decent covering; in short, woman should consider it
as the sign of her delicacy, as the pledge of honor to shelter her from
the gaze of unhallowed eyes.
This indispensable vesture being once more appropriated to its ancient
use, we shall next speak of the stays, or _corsets_. They must be light
and flexible, yielding to the shape, while they support it. In warm
weather, my fair reader should wear under her gown and slip a light
cotton petticoat; these few habiliments are sufficient to impart the
softening line of modesty to the defined outline of the form. Health,
also, is preserved by their opposing the immediate influence of the
atmosphere; and none will deny, that enough of female charms are thus
displayed, to gratify the quick, discerning eye of taste.
During the chilling airs of spring and autumn, the cotton petticoat
should give place to fine flannel; and in the rigid season of winter,
another addition must be made, by rendering the outer garments warmer
in their original texture: for instance, substituting satins, velvets,
and rich stuffs, for the lighter materials of summer. And besides
these, the use of fur is not only a salutary, but a magnificent and
graceful appendage to dress.
Public-domain text, read in full here on John Shaqi.
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