The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and BeautyLady of distinction, active 19th century
History
The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and Beauty
Lady of distinction, active 19th century
Beauty, Personal; Clothing and dress -- Great Britain -- History -- 19th century; Etiquette -- Great Britain
I remember the Count M----, one of the most accomplished and handsomest
young men in Vienna. When I was there, he was passionately in love with
a girl of almost peerless beauty. She was the daughter of a man of
great rank and influence at court; and on these considerations, as well
as in regard to her charms, she was followed by a multitude of suitors.
She was lively and amiable, and treated them all with an affability
which still kept them in her train, although it was generally known
that she had avowed a predilection for Count M. and that preparations
were making for their nuptials. The Count was of a refined mind and
delicate sensibility. He loved her for herself alone--for the virtues
which he believed dwelt in a beautiful form; and, like a lover of such
perfections, he never approached her without timidity, and when he
touched her, a fire shot through his veins that warned him never to
invade the vermilion sanctuary of her lips. Such were the feelings,
when one night at his intended father-in-law’s, a party of young people
were met to celebrate a certain festival. Several of the young lady’s
rejected suitors were present. Forfeits were one of the pastimes, and
all went on with the greatest merriment, till the Count was commanded
by some witty mademoiselle to redeem his glove by saluting the cheek
of his intended bride. The Count blushed, trembled, advanced to his
mistress, retreated, advanced again--and at last, with a tremor that
shook every fibre in his frame, with a modest grace he put the soft
ringlet which played upon her cheek to his lips, and retired to demand
his redeemed pledge in evident confusion. His mistress gaily smiled,
and the game went on. One of her rejected suitors, but who was of a
merry unthinking disposition, was adjudged, by the same indiscreet
crier of the forfeits,--“as his last treat before he hanged himself,”
she said,--to snatch a kiss from the lips of the object of his recent
vows--
“Lips whose broken sighs such fragrance fling,
As Love had fanned them freshly with his wing!”
A lively contest between the lady and the gentleman lasted for a
minute; but the lady yielded, though in the midst of a convulsive
laugh. And the Count had the mortification, the agony, to see the lips,
which his passionate and delicate love would not allow him to touch,
kissed with roughness and repetition by another man, and one whom he
despised. Without a word, he rose from his chair, left the room--and
the house; and, by that _good-natured kiss_, the fair boast of Vienna
lost her husband and her lover. The Count never saw her more.
ON THE MANAGEMENT OF THE PERSON IN DANCING, AND IN THE EXERCISE OF
OTHER FEMALE ACCOMPLISHMENTS.
On with the dance! let joy be unconfined.
_Childe Harold._
Public-domain text, read in full here on John Shaqi.
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