The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and BeautyLady of distinction, active 19th century
History
The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and Beauty
Lady of distinction, active 19th century
Beauty, Personal; Clothing and dress -- Great Britain -- History -- 19th century; Etiquette -- Great Britain
It is vain to expend large sums of money and large portions of time in
the acquirement of accomplishments, unless some attention be also paid
to the attainment of a certain grace in their exercise, which though a
circumstance distinct from themselves, is the secret of their charms
and pleasure-exciting quality.
As dancing is the accomplishment most calculated to display a fine
form, elegant taste, and graceful carriage, to advantage; so towards
it, our regards must be particularly turned; and we shall find that
when Beauty, in all her power, is to be set forth, she cannot choose a
more effective exhibition.
By the _exhibition_, it must not be understood that I mean to
insinuate anything like that scenic exhibition which we may expect
from professors of the art, who often, regardless of modesty, not only
display the symmetry of their persons, but indelicately expose them,
by most improper dresses and attitudes, on the public stage. What I
propose by calling dancing an elegant mode of showing a fine form to
advantage, has nothing more in it, than to teach the lovely young woman
to move unembarrassed and with peculiar grace through the mazes of a
dance, performed either in a private circle, or public ball.
It must always be remembered, and it cannot be too often repeated,
“That whatever it is worth while to do, it is worth while to do
_well_.” Therefore, as all times and nations have deemed dancing a
salubrious, decorous, and beautiful exercise, or rather happy pastime
and celebration of festivity, I cannot but regard it with particular
complacency. Dancing carries with it a banquet, alike for taste and
feeling. The spectator of a well-ordered English ball sees, at one
view, in a number of elegant young women, every species of female
loveliness. He beholds the perfection of personal proportion. They
are attired with all the gay habiliments of fashion and of fancy; and
their harmonious and agile movements unfold to him, at every turn, the
ever-varying, ever-charming grace of motion.
Thus far his senses only are gratified. But the pleasure stops not
there. His best feelings receive their share also. He looks on each
gay countenance, he sees hilarity in every step; he listens to their
delightful converse, communicated by snatches; and, with a pleasure
sympathizing with theirs, he cannot but acknowledge that dancing is
one of the most innocent and rational, as well as the most elegant,
amusements of youth.
It is indeed the favorite pastime of nature. We find it in courts, we
meet it on the village green. Here the rustic swain whispers his ardent
suit to his blushing maid, while his beating heart bounds against hers
in the swift wheel of the rapid dance. There the polished courtier
breathes a soft sigh into the ear of the lady of his vows, as he and
she timidly entwine their arms in the graceful _allemande_. But dancing
has been appropriated to higher purposes than these; it formed a part
of the religious ceremonies of the Jews.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account