It was you who perceived certain relations among the matches. The
relations were not in the matches. Unless the matches managed somehow
to get outside of themselves, they had no idea that they were parts
of a cross, a star, or a triangle. And when this form is “destroyed”
they are conscious of no loss. Now a self, or a self-consciousness
which is only a form made out of the things which constitute it and not
perceived by anything else, is less a self than a piece of bread rubbed
on the outside of an empty closet door is a cheese sandwich.
This habit of playing with words signifying a multitude of things
conceived of as a unit, is evident in all the literature of mechanist
thinking. As soon as such a word is found, the group of things is
treated as if it were a force, an entity, or even an intelligent
creature standing on its own legs. And usually the things in the groups
are also but words.
Dr. McDougall, for instance, says that a man in the presence of a great
work of art is being played upon by a “fusion” of the “instincts” of
“curiosity” and “wonder,” fused in their turn with the instinct of
“submission.” It is a predicament in which no one should lightly wish
to find even an art critic.
But if we have thirteen instincts, why not fourteen? Why not the whole
twenty-four listed by James? Why not twenty-five? If I can be played
upon by a fusion of curiosity, wonder and submission, all instinctive,
why cannot I be played upon by the instinct to light my pipe at three
o’clock in the afternoon of Friday, the Thirteenth of January? Think of
a self-conscious synthesis of unconscious impulses being played upon
by a fusion of unconscious determining impulses wakened in an innate
psycho-physical disposition to pay attention!
But let us abandon the materialistic hypothesis, however disguised.
Let us say that it was Psyche who built her house, not the house which
built Psyche--and how the situation changes! She cannot have built it
out of nothing, it is true. So let Dr. Watson give her a dwelling with
only the foundation reflex courses laid, or let Dr. McDougall escort
her into a completely and instinctively furnished apartment. In either
case, she begins at once to make alterations, for she is a “choosy”
woman, this Psyche of ours. She has power in her right arm, and does
not care a tinker’s dam about the conservation of energy.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account