The Modes of Ancient Greek MusicMonro, D. B. (David Binning)
History
The Modes of Ancient Greek Music
Monro, D. B. (David Binning)
Music, Greek and Roman
The arguments in favour of identifying the primitive national Modes
([Greek: harmoniai]) with the [Greek: tonoi] or keys may be
reinforced by some considerations drawn from the history and use of
another ancient term, namely [Greek: systêma].
A System ([Greek: systêma]) is defined by the Greek technical writers
as a group or complex of intervals ([Greek: to ek pleionôn ê henos
diastêmatôn synkeimenon] Ps. Eucl.). That is to say, any three or
more notes whose _relative_ pitch is fixed may be regarded as forming
a particular System. If the notes are such as might be used in the
same melody, they are said to form a _musical_ System ([Greek:
systêma emmeles]). As a matter of abstract theory it is evident that
there are very many combinations of intervals which in this sense
form a musical System. In fact, however, the variety of systems
recognised in the theory of Greek music was strictly limited. The
notion of a small number of scales, of a particular compass,
available for the use of the musician, was naturally suggested by the
ancient lyre, with its fixed and conventional number of strings. The
word for _string_ ([Greek: chordê]) came to be used with the general
sense of a _note_ of music; and in this way the several strings of
the lyre gave their names to the notes of the Greek gamut[1].
§ 16. _The Standard Octachord System._
In the age of the great melic poets the lyre had no more than seven
strings: but the octave was completed in the earliest times of which
we have accurate information. The scale which is assumed as matter of
common knowledge in the Aristotelian _Problems_ and the _Harmonics_
of Aristoxenus consists of eight notes, named as follows from their
place on the lyre:
Nêtê ([Greek: neatê] or [Greek: nêtê], lit. 'lowest,' our 'highest').
Paranêtê ([Greek: paranêtê], 'next to Nêtê').
Tritê ([Greek: tritê], _i.e._ 'third' string).
Paramesê ([Greek: paramesê] or [Greek: paramesos], 'next to Mesê').
Mesê ([Greek: mesê], 'middle string').
Lichanos ([Greek: lichanos], _i.e._ 'forefinger' string).
Parhypatê ([Greek: parypatê]).
Hypatê ([Greek: hypatê], lit. 'uppermost,' our 'lowest').
It will be seen that the conventional sense of high and low in the
words [Greek: hypatê] and [Greek: neatê] was the reverse of the
modern usage.
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