The Modes of Ancient Greek MusicMonro, D. B. (David Binning)
History
The Modes of Ancient Greek Music
Monro, D. B. (David Binning)
Music, Greek and Roman
The musical scale formed by these eight notes consists of two
_tetrachords_ or scales of four notes, and a major tone. The lower of
the tetrachords consists of the notes from Hypatê to Mesê, the higher
of those from Paramesê to Nêtê: the interval between Mesê and
Paramesê being the so-called _Disjunctive Tone_ ([Greek: tonos
diazeuktikos]). Within each tetrachord the intervals depend upon the
_Genus_ ([Greek: genos]). Thus the four notes just mentioned--Hypatê,
Mesê, Paramesê, Nêtê--are the same for every genus, and accordingly
are called the 'standing' or 'immoveable' notes ([Greek: phthongoi
hestôtes, akinêtoi]), while the others vary with the genus, and are
therefore 'moveable' ([Greek: pheromenoi]).
[Footnote 1: This is especially evident in the case of the Lichanos;
as was observed by Aristides Quintilianus, who says (p. 10 Meib.):
[Greek: hai kai tô genei lichanoi prosêgoreuthêsan, homônymôs tô
plêttonti daktylô tên êchousan autas chordên onomastheisai]. But
Tritê also is doubtless originally the 'third string' rather than the
'third note.']
In the ordinary Diatonic genus the intervals of the tetrachords are,
in the ascending order, semitone + tone + tone: _i.e._ Parhypatê is a
semitone above Hypatê, and Lichanos a tone above Parhypatê. In the
Enharmonic genus the intervals are two successive quarter-tones
([Greek: diesis]) followed by a ditone or major Third: consequently
Parhypatê is only a quarter of a tone above Hypatê, and Lichanos
again a quarter of a tone above Parhypatê. The group of three notes
separated in this way by small intervals (viz. two successive
quarter-tones) is called a [Greek: pyknon]. If we use an asterisk to
denote that a note is raised a quarter of a tone, these two scales
may be represented in modern notation as follows:
_Diatonic._ _Enharmonic._
e =Nêtê= \ e =Nêtê= \
d Paranêtê } ( c Paranêtê }
c Tritê } +---( b* Tritê }
b =Paramesê= / | ( b =Paramesê= /
a =Mesê= \ | a =Mesê= \
g Lichanos } | ( f Lichanos }
f Parhypatê } | +-( e* Parhypatê }
e =Hypatê= / | | ( e =Hypatê= /
| |
[Greek: pyknon] [Greek: pyknon]
In the Chromatic genus and its varieties the division is of an
intermediate kind. The interval between Lichanos and Mesê is more
than one tone, but less than two: and the two other intervals, as in
the enharmonic, are equal.
Public-domain text, read in full here on John Shaqi.
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