When I come to his connection with Blanche Stroeve I am exasperated by
the fragmentariness of the facts at my disposal. To give my story
coherence I should describe the progress of their tragic union, but I
know nothing of the three months during which they lived together. I do
not know how they got on or what they talked about. After all, there
are twenty-four hours in the day, and the summits of emotion can only
be reached at rare intervals. I can only imagine how they passed the
rest of the time. While the light lasted and so long as Blanche’s
strength endured, I suppose that Strickland painted, and it must have
irritated her when she saw him absorbed in his work. As a mistress she
did not then exist for him, but only as a model; and then there were
long hours in which they lived side by side in silence. It must have
frightened her. When Strickland suggested that in her surrender to him
there was a sense of triumph over Dirk Stroeve, because he had come to
her help in her extremity, he opened the door to many a dark
conjecture. I hope it was not true. It seems to me rather horrible. But
who can fathom the subtleties of the human heart? Certainly not those
who expect from it only decorous sentiments and normal emotions. When
Blanche saw that, notwithstanding his moments of passion, Strickland
remained aloof, she must have been filled with dismay, and even in
those moments I surmise that she realised that to him she was not an
individual, but an instrument of pleasure; he was a stranger still, and
she tried to bind him to herself with pathetic arts. She strove to
ensnare him with comfort and would not see that comfort meant nothing
to him. She was at pains to get him the things to eat that he liked,
and would not see that he was indifferent to food. She was afraid to
leave him alone. She pursued him with attentions, and when his passion
was dormant sought to excite it, for then at least she had the illusion
of holding him. Perhaps she knew with her intelligence that the chains
she forged only aroused his instinct of destruction, as the plate-glass
window makes your fingers itch for half a brick; but her heart,
incapable of reason, made her continue on a course she knew was fatal.
She must have been very unhappy. But the blindness of love led her to
believe what she wanted to be true, and her love was so great that it
seemed impossible to her that it should not in return awake an equal
love.
But my study of Strickland’s character suffers from a greater defect
than my ignorance of many facts. Because they were obvious and
striking, I have written of his relations to women; and yet they were
but an insignificant part of his life. It is an irony that they should
so tragically have affected others. His real life consisted of dreams
and of tremendously hard work.
Public-domain text, read in full here on John Shaqi.
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