The Mormons and the Theatre; or, The History of Theatricals in Utah — John Shaqi
The Mormons and the Theatre; or, The History of Theatricals in UtahLindsay, John S. (John Shanks)
Religion
The Mormons and the Theatre; or, The History of Theatricals in Utah
Lindsay, John S. (John Shanks)
Latter Day Saints; Theater -- Utah -- History
Mrs. Tuckett, whose maiden name was Mercy Westwood, was of English
birth, came to Utah in the early '50s where she soon afterward married
as a polygamous wife. The Westwood family had a strong predilection
for the stage; three of her brothers, Richard, Phillip and Joseph
Westwood, figured conspicuously a little later on in the Springville
Dramatic company. Her desertion from the ranks of the Social Hall
company had created a vacancy they found it difficult to fill. She had
been playing the leading roles, filling the place of Mrs. Wheelock who
also became disaffected and went to California in '57 with a number of
others, under protection of Col. Steptoe's command.
What particular reason Mrs. Wheelock had for withdrawing from the
Mormon people, we do not know. She settled in Sacramento where after a
time she became Mrs. Rattenbury, and has never returned except for a
brief visit and this quite recently.
Mrs. Tuckett was the wife of Henry Tuckett who is still living in Salt
Lake; and had four children by him at the time she left, and in
abandoning husband and children to share the fortunes of the soldier
actor Dick White, she subjected herself to a vast amount of severe and
apparently just criticism. There is little known of her life after she
left Utah even by her relatives; she probably regretted the step she
had taken when too late.
The Mormons never forgave White for taking Mrs. Tuckett from them. He
visited Salt Lake about four years after the death of his Mormon wife,
in the dramatic company of John S. Langrishe, who had Mr. C. W.
Couldock with him and was traveling by stage overland to the gold
mining towns of Montana; Virginia City of vigilante fame being their
objective point.
The Langrishe-Couldock company opened in the Salt Lake Theatre, August
the first, 1867, in the "Chimney Corner" with Couldock in his favorite
character of Peter Probity. R. C. White was the Solomon Probity of the
cast. White was apprehensive of trouble if he should be discovered by
the friends of Mrs. Tuckett, who regarded her peculiar "taking off"
almost in the sense of an abduction. Conspicuous among Mrs. Tuckett's
friends were the managers of the theatre, H. B. Clawson and John T.
Caine; so White discreetly kept himself secluded during the day as
much as possible, and only put in an appearance at the theatre when it
was time to dress for the play.
White was not personally known to the managers, or any of the
employees about the theatre. He had been little in Salt Lake during
the army's occupation of Camp Floyd and consequently was scarcely
known. Trusting to these circumstances he hoped to escape recognition,
and avoid the storm of abuse he felt sure would be showered on his
guilty head; but unfortunately his name was on the program and
although a common name and one that might easily escape especial
notice, White was by no means a common man and his performance of
Solomon attracted special attention to him.
Public-domain text, read in full here on John Shaqi.
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