The Mormons and the Theatre; or, The History of Theatricals in UtahLindsay, John S. (John Shanks)
Religion
The Mormons and the Theatre; or, The History of Theatricals in Utah
Lindsay, John S. (John Shanks)
Latter Day Saints; Theater -- Utah -- History
Some man in the audience who had met him at Camp Floyd recognized him,
and quietly informed the managers who he was. The whisper spread about
with amazing rapidity and he began to be pointed out as the "reprobate
and unscrupulous scoundrel" who had enticed Mrs. Tuckett away from
home and friends and people.
To make sure that this was the veritable White, the manager made some
inquiries regarding him of Jack Langrishe, his manager. This was
sufficient to arouse the curiosity of the company with regard to
White's previous experience in Utah. White did not make a second
appearance at the theatre. He had caught something of the buzz that
was in the air about him, and quietly dropped out of the Langrishe
company for the remainder of its Salt Lake engagement.
The Langrishes remained two weeks and then moved on to Montana. White
had not been entirely idle in the interim. He had made the
acquaintance of a second Salt Lake woman, whom he prevailed upon to
join him soon after his departure, and they were married shortly
after; the woman casting in her fortune with the Langrishe troupe and
doing such parts as they thought fit to cast her in.
Mr. and Mrs. White eventually drifted into Portland, Oregon, and made
that their home for many years. It was there the writer made their
acquaintance some fifteen years later when he went to play leads for
John Maguire at the New Market Theatre. They appeared to be living
harmoniously and had four lovely children, two boys and two girls, the
eldest about twelve years of age and a promising young actress. White
was then the editor of the "Bee," an afternoon paper, and played on
occasions in Maguire's Stock company.
Some years later White with his family removed to San Francisco, where
he became the stage manager of the Tivoli. It was during his
incumbency of this position that he made the first dramatization of
Rider Haggard's "She," and gave it its first production on the stage,
which proved to be a great success and started numerous other
companies to play it.
White has now "fallen into the sere and yellow leaf" and for the last
dozen years has been affectionately called by the profession "Daddy
White."
CHAPTER IV.
Public-domain text, read in full here on John Shaqi.
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