The Mormons and the Theatre; or, The History of Theatricals in UtahLindsay, John S. (John Shanks)
Religion
The Mormons and the Theatre; or, The History of Theatricals in Utah
Lindsay, John S. (John Shanks)
Latter Day Saints; Theater -- Utah -- History
During the summer of 1863, the interior decorations of the theatre
were completed and preparations were made for opening the season of
'63 and '64 a little in advance of the October Conference, which
always brings the people in even from the remotest settlements, and
consequently makes a great harvest for the theatre. The stock company
opened up the season without any assistance from the "Gentile"
dramatic world no second star had as yet appeared on our dramatic
horizon. Some additional interest, however, was lent to the stock
company by the accession to its ranks of two new members, who had been
selected from an amateur club called the "Thespians," whose
performances, given in a little crib, popularly known as "Cromie's
Show," so designated because the manager, "Jimmy" Thompson, had
acquired the nickname of "Cromie" from an excellent performance he
gave of that character in the farce of Betsy Baker.
The new accessions were John S. Lindsay and James M. Hardie, whom the
theatre managers had picked from the ranks of the young "Thespians" as
being of promise and worthy a place in the big theatre. The company
presented a number of comedy dramas; did the usual S. R. O. business
during the October Conference and played well on into the month of
November, when "The Irwins" were engaged as stock stars for the
remainder of the season. This engagement proved to be a wise move on
the part of the management, for the strain on the stock company was
becoming apparent, and it is questionable whether they could have held
the public interest with them throughout the season; so the Irwins
were welcomed by both the company and the patrons of the theatre.
Selden Irwin (or as he was familiarly called "Sel") was at this time
in the very flush of manhood, full of life and ambition, with a
plethora of good looks and activity. He was essentially a dashing
actor, and pleased the public immensely. Mrs. Irwin was even more of a
favorite than "Sel." If not great, she was very versatile, and they
gave Salt Lakers a series of plays of very great variety, embracing
classic tragedy, comedy and farce. Everything from "Camille" and the
"Lady of Lyons" to "That Rascal Pat" and "In and Out of Place." With
Mr. and Mrs. Irwin was Harry Rainforth, a boy of sixteen years, a son
of Mrs. Irwin by a former marriage, who in after years became a
well-known manager, being a partner with Bob Miles in the Grand Opera
House at Cincinnati. Harry was quite an actor as a boy, and helped out
the cast on several occasions; his most conspicuous effort, however,
was Lord Dundreary in "Our American Cousin," which was put up to give
"Sel" a chance at "Asa Trenchard." It is not of record that Harry ever
became a formidable rival of Sothern's in this part, but on this
occasion he filled the role very acceptably.
Public-domain text, read in full here on John Shaqi.
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