Mothers and daughters -- Fiction; New York (N.Y.) -- Fiction; Psychological fiction; Riviera (France) -- Fiction
Kate Clephane lay silent, staring at the fire. Tentatively, fearfully,
she was building up out of her visitor’s tones, his words, his
reticences, the incredible fact that, for him and all her husband’s
family--that huge imperious clan--her life, after she had left them,
had been divided into two sharply differentiated parts: the brief lapse
with Hylton Davies, the long expiation alone. Of that third episode,
which for her was the central fact of her experience, apparently not
a hint had reached them. She was the woman who had once “stooped to
folly”, and then, regaining her natural uprightness, had retained it
inflexibly through all the succeeding years. As the truth penetrated
her mind she was more frightened than relieved. Was she not returning
on false pretences to these kindly forgiving relations? Was it not
possible, indeed almost certain, that a man like Frederick Landers, had
he known about Chris, would have used all his influence to dissuade
Anne from sending for her, instead of exerting it in the opposite
sense, as he avowedly had? And, that being so, was she not taking them
all unawares, actually abusing their good faith, in passing herself
off as the penitential figure whom the passage of blameless years had
gradually changed from the offending into the offended? Yet was it,
after all, possible that the affair with Chris, and the life she had
led with him, could so completely have escaped their notice? Rumour has
a million eyes, and though she had preserved appearances in certain,
almost superstitious, ways, she had braved them recklessly in others,
especially toward the end, when the fear of losing Chris had swept away
all her precautions. Then suddenly the explanation dawned on her. She
had met Chris for the first time less than a year before the outbreak
of the war, and the last of their months together, the most reckless
and fervid, had been overshadowed, blotted out of everybody’s sight, in
that universal eclipse.
Public-domain text, read in full here on John Shaqi.
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