Mothers and daughters -- Fiction; New York (N.Y.) -- Fiction; Psychological fiction; Riviera (France) -- Fiction
She had never before thought of it in that way: for her the war had
begun only when Chris left her. During its first months she and
he had been in Spain and Italy, shut off by the safe Alps or the
neutral indifference; and the devouring need to keep Chris amused,
and herself amusing, had made her fall into the easy life of the
Italian watering-places, and the careless animation of Rome, without
any real sense of being in an altered world. Around them they found
only the like-minded; the cheerful, who refused to be “worried”, or
the argumentative and paradoxical, like Chris himself, who thought
it their duty as “artists” or “thinkers” to ignore the barbarian
commotion. It was only in 1915, when Chris’s own attitude was
mysteriously altered, and she found him muttering that after all a
fellow couldn’t stand aside when all his friends and the chaps of his
own age were getting killed--only then did the artificial defences
fall, and the reality stream in on her. Was his change of mind genuine?
He often said that his opinions hadn’t altered, but that there were
times when opinions didn’t count ... when a fellow just had to _act_.
It was her own secret thought (had been, perhaps, for longer than she
knew); but with Chris--could one ever tell? Whatever he was doing, he
was sure, after a given time, to want to be doing something else, and
to find plausible reasons for it: even the war might be serving merely
as a pretext for his unrest. Unless ... unless he used it as an excuse
for leaving her? Unless being with _her_ was what it offered an escape
from? If only she could have judged him more clearly, known him better!
But between herself and any clear understanding of him there had hung,
from the first, the obscuring mist of her passion, muffling his face,
touch, speech (so that now, at times, she could not even rebuild his
features or recall his voice), obscuring every fold and cranny of his
character, every trick of phrase, every doubling and dodging of his
restless mind and capricious fancy. Sometimes, in looking back, she
thought there was only one sign she had ever read clearly in him, and
that was the first sign of his growing tired of her. Disguise that as
she would, avert her eyes from it, argue it away, there the menace
always was again, faint but persistent, like the tiny intermittent pang
which first announces a mortal malady.
And of all this none of the people watching her from across the sea had
had a suspicion. The war had swallowed her up, her and all her little
concerns, as it had engulfed so many million others. It seemed written
that, till the end, she should have to be thankful for the war.
Her eyes travelled back to Fred Landers, whose sturdy bulk, planted
opposite her, seemed to have grown so far off and immaterial. Did he
really guess nothing of that rainbow world she had sent her memory back
to? And what would he think or say if she lifted the veil and let him
into it?
Public-domain text, read in full here on John Shaqi.
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