55. Thence they journeyed to Tsitsè-intyèli (Broad Cherry Trees), where, in a house of cherries with a door of lightning, there lived four gods named Dsilyi‘ Neyáni (Reared Within the Mountains). The Navajo was surprised to find that not only had they the same name as he had, but that they looked just like him and had clothes exactly the same as his, His companions said to him: “These are the gods in whose beautiful form the Butterfly goddess has molded you. These are the gods whose name you bear.” The hosts bade their visitors be seated, and they ranged themselves around the fire, one at each of the cardinal points. Each held an arrow made of the cliff rose (_Cowania mexicana_) in his extended right hand. The head of the arrow was of stone, the fletching of eagle feathers, and the “breath feather” of the downy plume of the Tsenáhale (the Harpy of Navajo mythology). As they held the arrows they ejaculated, “ai‘, ai‘, ai‘, ai‘,” as they who dance the kátso-yisçàu do in the ceremonies to this day, and after the fourth ai‘ each one swallowed his arrow, head foremost, until the fletching touched his lips. Then he withdrew the arrow and they said: “Thus do we wish the Navajo to do in the dance which you will teach them; but they must take good care not to break off the arrowheads when they swallow and withdraw them.” Such is the origin of the dance of the kátso-yisçàn, or great plumed arrow. As they bade him good-bye, one of them said to the Navajo: “We look for you,” i.e., “We expect you to return to us,” an intimation to him that when he left the earth he should return to the gods, to dwell among them forever. 56. From this place they journeyed on until they reached Açàdsil (Leaf Mountain), and found the house that was made of dew-drops ([¢]açò-behogan) and that had a door made of plants of many different kinds. This was the home of the Bitsès-ninéz (Long Bodies), who were goddesses. When they rose, as the strangers entered, the plumes on their heads seemed to touch the heavens, they were so very tall. The goddesses said to Dsilyi‘ Neyáni, “We give you no kethàwn, but look at us well and remember how we appear, for in your ceremonies you must draw our picture; yet draw us not, as we now stand, in the east, the south, the west, and the north; but draw us as if we all stood in the east.” This is the origin of the second picture that is painted on the sand. (Plate XVI.)