The Mountain Chant, A Navajo Ceremony: Fifth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1883-84, Government Printing Office, Washington, 1887, pages 379-468Matthews, Washington
Religion
The Mountain Chant, A Navajo Ceremony: Fifth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1883-84, Government Printing Office, Washington, 1887, pages 379-468
Matthews, Washington
Mountainway (Navajo rite); Navajo Indians -- Rites and ceremonies
128. At 8 o’clock a band of musicians which I will call the orchestra
entered, sat down beside one of the small fires in the west, and began
to make various vocal and instrumental noises of a musical character,
which continued with scarcely any interruption until the close of the
dance in the morning. At the moment the music began the great central
fire was lighted, and the conflagration spread so rapidly through the
entire pile that in a few moments it was enveloped in great flames.
A storm of sparks flew upward to the height of a hundred feet or more,
and the descending ashes fell in the corral like a light shower of snow.
The heat was soon so intense that in the remotest parts of the inclosure
it was necessary for one to screen his face when he looked towards the
fire. And now all was ready to test the endurance of the dancers who
must expose, or seem to expose (paragraph 149), their naked breasts to
the torrid glow.
[Illustration:
Bureau of Ethnology
Fifth Annual Report Pl. XII
DANCE OF NAHIKÀÏ.]
129. _First dance_ (Plate XII). When the fire gave out its most intense
heat, a warning whistle was heard in the outer darkness, and a dozen
forms, lithe and lean, dressed only in the narrow white breechcloth and
moccasins, and daubed with white earth until they seemed a group of
living marbles, came bounding through the entrance, yelping like wolves
and slowly moving around the fire. As they advanced in single file they
threw their bodies into divers attitudes--some graceful, some strained
and difficult, some menacing. Now they faced the east, now the south,
the west, the north, bearing aloft their slender wands tipped with eagle
down, holding and waving them with surprising effects. Their course
around the fire was to the left, i.e., from the east to the west, by
way of the south, and back again to the east by way of the north,
a course taken by all the dancers of the night, the order never being
reversed. When they had encircled the fire twice they began to thrust
their wands toward it, and it soon became evident that their object was
to burn off the tips of eagle down; but owing to the intensity of the
heat it was difficult to accomplish this, or at least they acted well
the part of striving against such difficulty. One would dash wildly
towards the fire and retreat; another would lie as close to the ground
as a frightened lizard and endeavor to wriggle himself up to the fire;
others sought to catch on their wands the sparks flying in the air. One
approached the flaming mass, suddenly threw himself on his back with his
head to the fire, and swiftly thrust his wand into the flames. Many were
the unsuccessful attempts; but, at length, one by one, they all
succeeded in burning the downy balls from the ends of their wands. As
each accomplished this feat it became his next duty to restore the ball
of down. The mechanism of this trick has been described (paragraph 120),
Public-domain text, read in full here on John Shaqi.
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