The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural PlaysHope, Laura Lee
General
The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural Plays
Hope, Laura Lee
Farm life -- Juvenile fiction; Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
"Oh, he might be some tramp. There's been chicken thieves around
lately, and maybe he was lookin' for a chance to sneak into our
hen-house."
"Well, I guess you've scared him off, at any rate," said the manager.
"There's an idea for a film," said Paul, with a laugh. "We can have a
chicken-stealing. The thief gets caught in a bear trap, and can't get
loose--farmer comes out with gun--chase over the fields and all
that."
"Good!" cried Mr. Pertell. "We'll try something of that sort. I'm
glad you mentioned it."
"Gosh!" exclaimed Sandy, admiringly. "You fellers would make a
picture out of anything, I guess."
"That's what we would!" laughed Mr. Pertell.
They came back from the unsuccessful man hunt, and soon quiet settled
down over Oak Farm.
"I only wish I could help them," mused Mr. Pertell as he retired. Yet
he was destined to help them, and in a most surprising manner.
Yielding to the wish of Sandy, Paul and the manager said nothing the
next morning of the chase after the man.
"It might only worry pa and ma," said the kind-hearted but
simple-minded young farmer. "And they've got troubles enough as it
is."
"They certainly have," agreed Mr. Pertell. "Nothing was disturbed
last night, though; was there?"
"No, all th' hens seem to be around. I can't imagine who that fellow
was. He must have had a guilty conscience, or he wouldn't have run
when I hailed him," Sandy said.
The day was given over, on the part of the manager and Russ, to
selecting the most favorable spots for the taking of scenes in the
rural dramas. A good background, and places where the lighting
effects would be proper for exposing the films, were essentials. Some
scenes were to be laid in the village proper, and when the moving
picture manager and his photographer went about, making notes of
likely spots, they were watched curiously by the village loungers.
Mr. Pertell paid a visit to Squire Blasdell in reference to getting
permission to burn the old barn on the Apgar place.
"Well, you can do it if you pay me my price," said the crabbed man,
who was a local judge and lawyer, acting for several clients.
The price was sufficiently high, Mr. Pertell thought, but he had no
choice.
"That's a valuable barn!" said the squire.
"It's only fit for kindling wood," protested the manager. "And that's
what I propose to use it for."
"Well, it's a sin to burn down a building like that," went on the
squire. "But this is a queer world, anyhow. And I want my money in
advance."
He was so unpleasant about the matter that, after arranging for the
destruction of the barn, Mr. Pertell left without carrying out his
half-formed resolution of asking for more time for the payment of the
Apgar mortgage.
Public-domain text, read in full here on John Shaqi.
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