The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural PlaysHope, Laura Lee
General
The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural Plays
Hope, Laura Lee
Farm life -- Juvenile fiction; Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
"I'd better try to find some other way of helping them," thought the
manager. "If I said they were in hard circumstances the squire might
get suspicious and foreclose at once. Then I would have to take my
company away, and I couldn't get the rural dramas. No, I'll wait a
while. But I would like to help Sandy and his folks."
During the two days that Mr. Pertell and Russ were mapping out the
locations of the various scenes for the plays, the others of the
company were becoming familiar with Oak Farm, and the delightfully
quaint house where they were to remain all summer.
There were many little nooks where one could spend a quiet hour with
a book, and there was good fishing in the stream that, in times past,
had furnished power for the old grist mill. The mill was now in
ruins, but it was very picturesque, and Mr. Pertell planned to make
it the scene of several little plays.
Three days after the arrival at Oak Farm, matters were in readiness
for filming the first play. It was a simple little drama, concerning
a country girl and boy, and Alice and Paul Ardite were the chief
characters.
This was something of a blow to Miss Laura Dixon, who had counted on
being with Paul in the play. Miss Dixon rather liked Paul, but since
the advent of Alice he had become more and more interested in the
latter.
"I don't care!" exclaimed Miss Dixon, as she flounced into the room
she shared with Miss Pennington. "I'm not going to stay with this
company any more, with those two amateurs taking all the best parts."
"It is a shame," agreed Miss Pennington. "I just can't bear that Ruth
DeVere, with her blue eyes. She can use them very effectively, too."
"Indeed she can! What do you say if we look for another engagement? I
just hate the country."
"So do I, with all the bugs and things. But, really, I can't go. I
got Mr. Pertell to give me an advance on my salary, and I can't leave
him now. Besides, other places aren't so easy to get. Look here," and
she held out a copy of a dramatic paper which contained an unusual
number of "cards" of performers who were "at liberty." That is, they
had no work, but were anxious for some.
"Summer is a bad time for quitting a sure place," went on Miss
Pennington. "We'll just have to stick, Laura."
"I suppose so. But I can't bear those two girls!"
"Neither can I!"
But Alice and Ruth concerned themselves very little with their
jealous rivals, though they were aware of the feeling against them.
Alice and Paul acquitted themselves well in the little play.
There was only one difficulty--Mr. Bunn, as usual.
He and Mr. Sneed had been cast as farm hands to fill in the
background of the play. When the former Shakespearean player learned
that he was to wear overalls and carry a hoe over his shoulder, he
rebelled.
"What! I play that character?" he cried. "A clod--a country bumpkin?
Never! I will go back to New York first!"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account