The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural PlaysHope, Laura Lee
General
The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural Plays
Hope, Laura Lee
Farm life -- Juvenile fiction; Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
Toward the close of that story you may learn how Mr. Pertell became
acquainted with a young farmer named Sandy Apgar, who was working a
large farm for his aged father, near Beatonville, in New Jersey. It
happened that Mr. Pertell was contemplating the filming of a number
of rural plays, and he made arrangements with Mr. Apgar to use the
farm as a background for the scenes. The company would also live and
board at the farmhouse, which was a large, old-fashioned home.
The players were on their way there when the accident occurred.
To go a little more into detail about the two girls, and the others,
I might say that Ruth was tall, with deep blue eyes and light hair.
She was rather inclined to be romantic, too, as might be suspected.
Alice was just the opposite--plump, jolly, always laughing or joking,
and with a wealth of brown hair, and eyes like hazel nuts. She was
very like her dead mother, while Ruth was more like her father in
character.
Mr. Pertell was the manager and owner of the Comet Film Company, and
I have already mentioned the principal players. Ruth and Alice were
the newest members. Miss Pennington and Miss Dixon were from the
vaudeville stage, and you could see this without being told. They
were a bit jealous of the DeVere girls.
Mrs. Maguire, who was billed as "Cora Ashleigh," was generally played
in "old woman parts." And she played them well. Her two
grandchildren, Tommy and Nellie, occasionally had small parts in the
plays. Mr. Switzer was the comedian, and, opposite to him, was Pepper
Sneed, the "grouch." Wellington Bunn seemed always to have a
grievance because he had not made a success in Shakespeare.
Pop Snooks was the "Old Reliable" property man of the company, and
what he could not manufacture in the way of "props" at short notice
was hardly worth mentioning.
The company of moving picture players and the other train passengers
found a scene of desolation awaiting them as they alighted. But it
was not as bad as might have been expected, and no one had been
killed. In fact, no one was hurt, save the fireman and engineer of
the passenger train, and they only slightly.
What had happened was this: A freight train, on a siding, had overrun
a switch, and one of the cars encroached on the main line tracks. The
passenger engine had "side-swiped" it, as the railroad term has it.
That is, the engine had struck a glancing blow, and had been
derailed. The baggage car, directly behind the engine, had been
smashed, but a quick survey on the part of Mr. Pertell showed that
the company's baggage had not been damaged.
The wreck was bad enough, however, and meant a delay until the track
was cleared. The members of the company, and the other passengers,
gathered about, looking on while the railroad men held a consultation
as to what was best to be done.
Public-domain text, read in full here on John Shaqi.
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