The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural PlaysHope, Laura Lee
General
The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural Plays
Hope, Laura Lee
Farm life -- Juvenile fiction; Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
"Look, there's Russ, taking pictures!" exclaimed Ruth, pointing to
him. The young operator had gone to the baggage car and obtained the
tripod of his camera. This he had set up in an advantageous position,
and was industriously grinding away at the handle, taking pictures of
the wreck on the moving strip of celluloid.
"This will be all right for our newspaper service!" he called to Mr.
Pertell.
"That's right! Good work, Russ! But this will mean a delay in getting
to Oak Farm."
However, there was no help for it. One of the trainmen went to the
nearest station to telephone for the wrecking crew. Fortunately it
was not necessary to bring one out from Hoboken, since at Dover, a
station some miles down the line, such an equipment was kept. And a
little later the wrecking crew was on the scene.
"I'll get some fine pictures now!" exulted Russ. "I'm glad I'm here,
though I wouldn't want a railroad collision to happen every day. We
might not get off so lucky next time."
"Luck! Don't mention luck!" grumbled Mr. Sneed. "The idea of starting
out on track thirteen! I told you something would happen."
"Den you vas not disappointmented alretty yet!" laughed Mr. Switzer.
The work of getting the engine back on the track was comparatively
easy, and it was found that the train could proceed, since the
running gear of the baggage car was intact.
The train was almost ready to go on again, when a woman, flashily
dressed, and wearing many diamonds, came bustling up from the parlor
car.
"Is my dog safe?" she inquired of the baggageman. "Is he hurt?"
"No'm, he's all right; or he was a little while ago," the man
answered. "He was tied in the corner, just where you told me to put
him. I guess he's there yet. His end of the car wasn't hit. But he
howled a lot."
"Poor Rex! Let me see him." The lady went to the open door of the
baggage car, and looked in. "Why, he's gone!" she cried. "My dog--my
darling dog--is gone!"
"Can't be!" exclaimed the trainman. "He was tied right there a minute
ago."
He jumped into the shattered car and looked about.
"Is he there?" cried the woman.
"No, ma'am, he's gone," was the answer. "But I don't see how it could
be."
"Did he break loose?" the lady asked, with much eagerness.
"No, the strap is gone, and he couldn't possibly untie the knot I
put in it. Someone has taken him, ma'am."
"Then this company is responsible, and I shall sue it!" the lady
cried, bristling with what might be righteous anger. "My dog was a
valuable one. Rex III has taken prize after prize, and I was on my
way with him to a dog show now. Oh, Rex! Who could have taken you?"
and she seemed genuinely distressed.
"What kind of a dog was he?" asked Alice, for she loved animals.
"A collie--a most beautiful collie. He had a pink bow on, and here it
is! Oh, how I loved him! We were inseparable! And now he is gone!"
and tears filled the lady's eyes.
CHAPTER III
ON TO THE FARM
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account