The Moving Picture Girls at Sea: or, A Pictured Shipwreck That Became RealHope, Laura Lee
General
The Moving Picture Girls at Sea: or, A Pictured Shipwreck That Became Real
Hope, Laura Lee
Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
"Well, that's very good, so far," said Mr. Pertell, when there came a
lull in the taking of the preliminary scenes of the marine film. "A
little more life wouldn't have hurt any, but the conditions aren't just
the best. It was fairly well done."
"Huh! Fairly well done!" exclaimed Pepper Sneed. "I wonder what he
wants, anyhow? I nearly broke my neck scrambling over those rocks, and
the skin is all gone from the palms of my hands, and all he says is that
it was 'fairly well done!' I wonder what he wants, anyhow?"
"Ha! He vants dot you shouldt altogedder preak your neck, ain't it?" put
in Mr. Switzer. "Dot vould be a real funny picture, alretty yet!" he
went on in his favorite character of a Dutch comedian. "Preak your neck,
Mr. Sneed, und let Russ make der picture."
"Ha! I think I see myself!" exclaimed the "grouch," as he looked for a
seaweed-cushioned rock whereon to sit. "There's been a lot of trouble
today, but, mark my words, there'll be more before we have finished.
That's all I've got to say," and by the sour look on his face anyone
would have thought that he rejoiced in his prediction of trouble to
come.
"What is the matter now?" asked Ruth, coming up in time to hear part of
the discussion.
"Oh, Pepper is sure the world is going to come to an end before the
public has a chance to see him in his great rescue act of 'Out on The
Deep,' I guess," replied Paul Ardite. "Cheer up!" he added. "The worst
is yet to come."
"You're right there," agreed Mr. Sneed, darkly. "There'll be an accident
before this day is over, mark my words!"
"Oh, Alice, are you hurt?" asked Ruth quickly, as she saw her sister
limping toward her, for the little scene in which Alice had slipped and
hurt her ankle, had taken place when Ruth was busy in another part of
the play, farther down the shore line.
"It isn't anything," the younger girl answered, bravely keeping back an
exclamation of pain.
"Will you be able to go on?" Mr. Pertell asked. He had followed Alice,
when the scene closed, and when he had stopped Paul in time to prevent
the photographs from being spoiled.
"Oh, yes, I can go on, of course," Alice said, with an effort.
"Because you have some important parts yet to do," the manager
continued. He was not as heartless as this sounds. Really he was most
kind and considerate. Yet he knew the pictures must be made and the
present was the best time. If there were a delay, there was no telling
what might intervene.
He knew that Alice herself realized this. She would not give up unless
positively unable to go on. The general public little realizes how often
those who entertain them do so under positive pain and suffering. Of
course moving picture scenes can be postponed more easily than can those
in a real theatre. But the general rule holds good for the movies, as
for the legitimate. "The show must go on!" That is the watchword of
manager and player alike. "The show must go on!"
Public-domain text, read in full here on John Shaqi.
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