"I have a bottle of arnica with me," said Mrs. Maguire, the "old lady" of the company. "I heard we were to do some rock-scrambling today and I brought it along. I'll rub some of it on your ankle," she said to Alice. "Yes, doctor her up a bit," advised Mr. Pertell. "She's too important to be left out of the film, for a while at least. I don't want to force you, Miss DeVere," he went on, "but really----" "Oh, I'll be able to go on," Alice bravely said. "It is only a little wrench, I think." Behind a screen of rocks Mrs. Maguire removed Alice's shoe and stocking, and the motherly old lady and Ruth bathed the injured foot. It was not as bad as Alice had feared, and when it was bound up again she found she could use it by "favoring" it slightly. She would not have to take part in a scene for nearly an hour, and she took advantage of the rest afforded by the wait. Meanwhile Mr. DeVere and some other members of the company were going through their parts. An old fisherman's hut had been found, a little way down the beach, and for a small sum of money the grizzled old salt had agreed to vacate for the morning, and allow the moving picture actors to use his home as the background for several scenes. "It isn't just what the scenario calls for," said Mr. Pertell, "but we can switch things around at the studio later, to make it fit." This is a secret of more than one film. The producer takes advantage of things as he finds them. Often, after a film has all been planned, and the pictures are being taken, a chance accident, or incident, will suggest an advantageous change, and it is made on the spot. Later the film is "cut" or added to, so that the change fits in. Again, on going to the outdoor scene called for in the scenario, the manager may see a background that suits him better than one he intended using. On the spot he will stop and have the act take place there, altering, or adapting, the plot of the story to fit. And many an accident has been turned to good account in making a film. But these are secrets known only to the initiated, and the public that sees the finished picture in some theatre little realizes how much chance had to do with its making. Scene after scene was "filmed," Russ and his camera associates grinding away at the machines. It was not easy work, for the wind and spray often interfered with the clearness of the picture. But of course that only added to the reality of it when the finished picture was shown. "Now for that scene on the far rocks," called Mr. Pertell when he had brought to a satisfactory conclusion a difficult part of the drama. "Are you able to go out there, Miss DeVere?" and he looked anxiously at Alice. "Oh, yes, I'm much better," she answered. "All ready then!" called the manager. "Russ, I want one or two 'close-up' views in this, so prepare yourself accordingly." "All right," answered the operator, who was talking to Ruth. He put in a fresh reel of film, and adjusted the camera.