He discovered him sitting on the wreck of his bivouac of the night;
he was clasping some small article to his bosom, and the look on his
face was that of a man who had found his heart's desire.
Patrick sat himself down on a box of bombs, and looked humbly at the
Reverend Paul. It is an awful thing for a man suddenly to find he
has been entertaining a hero unawares.
"Oh, Dicky Bird, Dicky Bird, why did you do it?" he inquired softly.
The Padre cocked his head on one side and commenced to ooze apologies
from every pore.
"Oh dear--you know how absurdly absent-minded I am; well, I suddenly
remembered I had left my teeth behind."
VII
THE RIDING-MASTER
The scene is a School of Instruction at the back of the Western Front
set in a valley of green meadows bordered by files of plumy poplars,
and threaded through by a silver ribbon of water.
On the lazy afternoon breeze come the concerted yells of a bayonet
class, practising frightfulness further down the valley; also the
staccato chatter of Lewis guns punching holes in the near hillside.
In the centre of one meadow is a turf _manège_. In the centre of the
_manège_ stands the villain of the piece, the Riding-Master.
He wears a crown on his sleeve, tight breeches, jackboots, vicious
spurs and sable moustachios. His right hand toys with a long, long
whip, his left with his sable moustachios. He looks like Diavolo,
the lion-tamer, about to put his man-eating chums through hoops of
fire.
His victims, a dozen infantry officers, circle slowly round the
_manège_. They are mounted on disillusioned cavalry horses who came
out with Wellington and know a thing or two. Now and again they wink
at the Riding-Master and he winks back at them.
The audience consists of an ancient Gaul in picturesque blue pants,
whose _mètier_ is to totter round the meadows brushing flies off a
piebald cow; the School Padre, who keeps at long range so that he may
see the sport without hearing the language, and ten little _gamins_,
who have been splashing in the silver stream and are now sitting
drying on the bank like ten little toads.
They come every afternoon, for never have they seen such fun, never
since the great days before the War when the circus with the boxing
kangaroo and the educated porks came to town.
Suddenly the Riding-Master clears his throat. At the sound thereof
the horses cock their ears and their riders grab handfulls of leather
and hair.
_R.-M._ "Now, gentlemen, mind the word. Gently away--tra-a-a-at."
The horses break into a slow jog-trot and the cavaliers into a cold
perspiration. The ten little gamins cheer delightedly.
_R.-M._ "Sit down, sit up, 'ollow yer backs, keep the hands down,
backs foremost, even pace. Number Two, Sir, 'ollow yer back; don't
sit 'unched up like you'd over-ate yourself. Number Seven, don't
throw yerself about in that drunken manner, you'll miss the saddle
altogether presently, coming down--can't expect the 'orse to catch
you every time.
Public-domain text, read in full here on John Shaqi.
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