The mule-bone : $b a comedy of Negro life in three actsHurston, Zora Neale
General
The mule-bone : $b a comedy of Negro life in three acts
Hurston, Zora Neale
African Americans -- Drama
CHILDERS.
Good evenin’, folks.
(SISTERS THOMAS and TAYLOR just grunt. MRS. THOMAS moves a step or two
towards exit. Flirts her skirts and exits.)
LINDSAY.
(Angrily) Whut’s de matter, y’all? Cat got yo’ tongue?
MRS. TAYLOR.
More matter than you kin scatter all over Cincinnatti.
LINDSAY.
Go ’head on, Lucy Taylor. Go ’head on. You know a very little of yo’
sugar sweetens my coffee. Go ’head on. Everytime you lift yo’ arm you
smell like a nest of yellow hammers.
MRS. TAYLOR.
Go ’head on yo’self. Yo’ head look like it done wore out three bodies.
Talkin’ ’bout _me_ smellin’—you smell lak a nest of grand daddies
yo’self.
LINDSAY.
Aw rock on down de road, ’oman. Ah, don’t wantuh change words wid yuh.
Youse too ugly.
MRS. TAYLOR.
You ain’t nobody’s pretty baby, yo’self. You so ugly I betcha yo’ wife
have to spread uh sheet over yo’ head tuh let sleep slip up on yuh.
LINDSAY.
(Threatening) You better git way from me while you able. I done tole
you I don’t wanter break a breath wid you. It’s uh whole heap better
tuh walk off on yo’ own legs than it is to be toted off. I’m tired of
yo’ achin’ round here. You fool wid me now an’ I’ll knock you into doll
rags, Tony or no Tony.
MRS. TAYLOR.
(Jumping up in his face) Hit me? Hit me! I dare you tuh hit me. If you
take dat dare, you’ll steal uh hawg an’ eat his hair.
LINDSAY.
Lemme gwan down to dat church befo’ you make me stomp you. (He exits,
right.)
MRS. TAYLOR.
You mean you’ll _git_ stomped. Ah’m goin’ to de trial, too. De nex trial
gointer be _me_ for kickin’some uh you Baptist niggers around.
(A great noise is heard off stage left. The angry and jeering voices of
children. MRS. TAYLOR looks off left and takes a step or two towards
left exit as the noise comes nearer.)
VOICE OF ONE CHILD.
Tell her! Tell her! Turn her up and smell her. Yo’ mama ain’t got
nothin’ to do wid me.
MRS. TAYLOR.
(Hollering off left) You lil Baptis’ haitians leave them chillun alone.
If you don’t, you better!
(Enter about ten children struggling and wrestling in a bunch. MRS.
TAYLOR looks about on the ground for a stick to strike the children
with.)
VOICE OF CHILD.
Hey! Hey! He’s skeered tuh knock it off. Coward!
MRS. TAYLOR.
If y’all don’t git on home!
SASSY LITTLE GIRL.
(Standing akimbo) I know you better not touch me, do my mama will ’tend
to you.
MRS. TAYLOR.
(Making as if to strike her.) Shet up you nasty lil heifer, sassin’ me!
You ain’t half raised.
(The little girl shakes herself at MRS. TAYLOR and is joined by two or
three others.)
MRS. TAYLOR.
(Walkin’ towards right exit.) I’m goin’ on down to de church an’ tell yo’
mammy. But she ain’t been half raised herself. (She exits right with
several children making faces behind her.)
Public-domain text, read in full here on John Shaqi.
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