Now, to turn to the other side of the medal; let us see what are the occupations man graciously permits to woman without affronting her by this opprobrious epithet. In the first place, he is chiefly willing to see her on the stage. And he generally prefers the music-hall stage as the best one fitted to her ‘poor’ abilities. It is no particular ‘fun’ to him to see her rise to the histrionic height of a Rachel or a Sarah Bernhardt—the sublimity of tragedy in her eyes does not specially move him—the simulation of heartbreak in her face may possibly awake in him a curious emotion, divided between pity and astonishment,—but it does not amuse him. Nor does the exquisite grace of the finished ‘comedienne’ delight him entirely,—her pretty airs and graces, and her ringing laugh, are fascinating in a way, but in the huge amount of _amour-propre_, which swells the head of the smallest masculine noodle about town, he has an uncomfortable, lurking suspicion that she may all the while, under her charming stage-feigning, be really laughing at him and the whole of his sex generally. No! Neither the height of tragedy nor comedy in the woman on the stage really satisfy men so much as the happy medium,—the particular ‘no-man’s-land’ of art, where nothing is demanded of her but—Body and Grin. A beautiful Body, trained to walk and look well—an affable Grin, expanding at the sight of champagne and other mundane delicacies,—these are all that is necessary. Now, if this beautiful Body be well-nigh stripped to man’s gaze night after night on the boards, he will never call the woman who so exposes herself ‘unsexed,’ nor will he apply the word to her if she drinks too much wine and brandy. But if another woman, with quite as beautiful a body, instead of exhibiting herself half nude on the music-hall stage, prefers to keep her woman’s modesty, and execute some great work of art which shall be as good and even better than anything man can accomplish, she will be dubbed ‘unsexed’ instantly. And I ask—Why is it that man elects to compass woman’s degradation rather than her up-lifting and sanctification? It is a wrong course to adopt,—an evil course; and one that carries with it a terrible retribution in the lives of the coming generation.