‘living picture’—the aerial gymnast—give me anything rather than a pure, finely-cultured, noble-natured woman to be the mother of my sons!’ Thus things drift; badly for England, if we are to believe all we are told by scientific physiologists,—and whether these wiseacres and doom-prophets are wrong or right in their prognostications, it is certain that the true intention of Woman’s destiny has not yet been carried out. She is fighting towards it,—but, if I may venture to say so, she is using her weapons wildly and in various wrong directions. It is not by opposing herself to man that she can be his real helpmeet,—neither is it by supporting him on her money, whether such money be earned or inherited. She will never make a true man of him that way. And it is not by adopting his pastimes or apeing his manners. It is by cultivating and cherishing to the utmost every sweet and sacred sentiment of womanhood,—every grace, every refinement, every beauty; by taking her share in the world’s intellectual work with force, as well as with modesty, and by showing a faultless example of gentle reserve and delicate chastity. When she is like this, it is of course highly probable that she will be ‘murdered’ often as ‘Delicia’ was;—but the death of many martyrs is necessary to the establishment of a new creed. When man begins to understand that woman is not meant to be a toy or a drudge, but a comrade,—the closest, best and truest that God has given him,—then the clouds will clear; and marriage will be a blessing instead of (as it too often proves) a curse,—and there will be few, if any, ‘Delicias’ to be slain, inasmuch as there will be few, if any men left, so unworthy of their manhood as to play coward and traitor to the women who trust them. MARIE CORELLI. July 6th, 1896. *The Murder of Delicia* *CHAPTER I* A flood of warm spring sunshine poured its full radiance from the south through the large, square lattice-window of Delicia’s study, flashing a golden smile of recognition on Delicia herself and on all the objects surrounding her. Gleaming into the yellow cups of a cluster of daffodils which stood up, proudly erect, out of a quaint, brown vase from Egypt, it flickered across a pearl-inlaid mandoline that hung against the wall, as though it were playing an unheard melody in delicate _tremolo_ on the strings; then, setting a crown of light on Delicia’s hair, it flung an arrowy beam at the head of Hadrian’s ‘Antinous,’ whose curved marble lips, parted in an inscrutable, half-mocking smile, seemed about to utter a satire on the ways of women. Delicia had purchased this particular copy of the original bust in the British Museum because she imagined it was like her husband. No one else thought it in the least like him—but she did.