Factories -- Fiction; London (England) -- Fiction; Love stories; Strikes and lockouts -- Fiction
Edna watched her father as he unlocked one after another of the
compartments and apparently rearranged his papers. There was always
about his actions a certain well-defined purpose, but the girl could not
help noticing that now he appeared irresolute and wavering. He seemed to
be marking time rather than making progress with any definite work. She
wondered if the coming strike was worrying him more than he had been
willing to admit. She wished to help, but knew that nothing would be
more acceptable to him than simply leaving him alone. She also knew that
when her father said he would be ready to go home with her at a certain
hour he usually was ready when that hour came. Why, then, did he delay
his departure?
At last Sartwell closed down the lid of one desk and locked it as if he
were shutting in his wavering purpose, then he placed the key from his
watch-guard in the third lock and threw back the cover. An electric
light dangling by a cord from the ceiling, threw down into the desk rays
reflected by a circular opal shade that covered the lamp. The manager
gazed for a few moments into the desk, then turning to his daughter,
said:
“Edna, you startled me when you came in tonight.”
“I am very sorry, father. Didn’t you expect me?”
“Yes, but not at that moment, as it happened. You are growing very like
your mother, my girl.”
There was a pause, Edna not knowing what to say. Her father seldom spoke
of his dead wife, and Edna could not remember her mother.
“Somehow I did not realize until to-night--that you were growing up. You
have always been my baby to me. Then--suddenly--you came in. Edna, she
was only four years older than you when she died. You see, my dear,
although I grow older, she always remains young--but I sometimes think
that the young man who was her husband is dead too, for there is not
much likeness to him in me.”
Sartwell had been drumming lightly with his fingers on the desk top as
he spoke; now he reached up and turned off the electric light as if
its brilliancy troubled him. The lamp in the centre of the room was
sufficient, and it left him in the shadow.
“I suppose there comes a time in the life of every father, when he
learns, with something of a shock, that the little girl who has been
playing about his knee is a young woman. It is like when a man hears
himself alluded to as old for the first time. I well remember how it
made me catch my breath when I first heard myself spoken of as an old
man.”
“But you are not old,” cried the girl, with a little indignant half sob
in her voice. She wished to go to her father and put her arms around his
neck, but she felt intuitively that he desired her to stay where she was
until he finished what he had to say.
Public-domain text, read in full here on John Shaqi.
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