Factories -- Fiction; London (England) -- Fiction; Love stories; Strikes and lockouts -- Fiction
“I am getting on in that direction. None of us grows younger, but the
dead. I suppose a daughter is as blind to her father’s growing old,
as he to her advancing womanhood. But we won’t talk of my age. We are
welcoming the coming, rather than speeding the going, to-night. You and
I, Edna, must realize that we, in a measure, begin life on a new line
with each other. We are both grown-up people. When your mother was a
little older than you are, I had her portrait painted. She laughed at
me and called me extravagant. You see, we were really very poor, and
she thought, poor girl, that a portrait of herself was not exactly a
necessity. I have thought since that it was the one necessary thing I
ever bought. I had it copied, when I got richer, by a noted painter, who
did it more as a favour to me than for the money, for painters do not
care to copy other men’s work. Curiously enough he made a more striking
likeness of her than the original was. Come here, my girl.”
Edna sprang to her father’s side and rested her hand lightly on his
shoulder. Sartwell turned on the electric light. At the bottom of the
desk lay a large portrait of a most beautiful woman. The light shone
down on the face, and the fine eyes looked smilingly up at them.
“That was your mother, Edna,” said the father, almost in a whisper,
speaking with difficulty.
The girl was crying softly, trying not to let her father know it. Her
hand stole from the shoulder next her to the other, his hand caressed
her fair hair.
“Poor father!” she said, trying to speak bravely.
“How lonely you must have been. I seem to--to understand things--that I
didn’t before--as if I had suddenly grown old.”
They looked at the picture for some time together in silence, then she
said:
“Why did you never show me the portrait before?”
“Well, my dear, it was here and not at the house, and when you were a
small girl, you did not come to the office, you know. Then, you
see, your stepmother had the responsibility of bringing you
up--and--and--somehow I thought it wouldn’t be giving her a fair chance.
The world is rather hard on stepmothers.” He hurriedly closed the desk.
“Come, come,” he cried, brusquely, “this won’t do, you know, Edna.
But this is what I want to say. I want you to remember--to understand
rather--that you and I are, as it were, alone in the world; there is a
bond between us in that, as well as in the fact that we are father and
daughter. I want you always to feel that I am your best friend, and
there must never come any misunderstanding between us.”
“There never could, father,” said the girl, solemnly.
Public-domain text, read in full here on John Shaqi.
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