The Mute Stones Speak: The Story of Archaeology in ItalyMacKendrick, Paul Lachlan
History
The Mute Stones Speak: The Story of Archaeology in Italy
MacKendrick, Paul Lachlan
Italy -- Antiquities
The Po valley in the Bronze Age was a melting pot in which a variety of
cultures, indigenous and immigrant, mingled. What is to be read from
the excavations is almost a recapitulation in this early period, in
terms of creative imitation of imported and native forms and ideas, of
the whole cultural history of Rome. To our knowledge of this culture,
and to our appreciation of the importance of scrupulous archaeological
recording, the curious story of Pigorini’s _terremare_ contributed not
a little.
* * * * *
The island of Sardinia to the archaeologist is a fascinating curiosity,
isolated, until recently, by its unhealthy climate and its odd
dialect. In prehistoric times, however, while Sardinia’s development
does not parallel that of the mainland, its level of culture appears
from archaeological finds and monuments to have been higher, not
lower, than that of Italy proper. This superior level seems to have
been due to Sardinia’s richness in metals. To protect the wealth, the
prehistoric islanders built enormous watchtowers, called _nuraghi_,
which developed into veritable feudal castles with villages nestling at
their feet.
Recent excavations (1951–56) by Professor Giovanni Lilliu of the
University of Cagliari have cast clearer light on Sardinia’s culture.
He excavated the huge _nuraghe_ of Su Nuraxi, at Barumini, some thirty
miles north of Cagliari. When he began, Su Nuraxi was a small hill
covered with ruins, earth, and scrub. Now six campaigns have revealed
a truncated conical tower (Fig. 1.7), built, without mortar, of huge
many-sided blocks of basalt. Clustered above the tower he found a small
Village; the whole complex--tower plus the village--is surrounded by
other _nuraghi_ on neighboring hills. To the original single tower
four others, with upper courses of dressed stone, were added in a
clover-leaf pattern, linked by a curtain-wall enclosing a court sixty
feet deep, with a reservoir fifteen feet deep for drinking water. The
central tower is three stories high, with a corbelled or false-vaulted
roof built of gradually converging horizontal courses. The upper
stories were reached by a spiral stair in the thickness of the wall.
Lilliu meticulously observed stratigraphy; for dating, he submitted
samples of carbonized matter from the towers to laboratories in Milan,
and was told that the Carbon 14 process dates his remains as 1270 B.C.
± 200 years.
Public-domain text, read in full here on John Shaqi.
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