The Mute Stones Speak: The Story of Archaeology in ItalyMacKendrick, Paul Lachlan
History
The Mute Stones Speak: The Story of Archaeology in Italy
MacKendrick, Paul Lachlan
Italy -- Antiquities
If the prehistoric folk who lived on the Tavoliere, in the _terremare_,
and around the _nuraghi_, if the later Villanovans and Siculans have
any reality for us, we owe our insights into their culture to the
patience, critical spirit, and intelligence of Bradford, Pigorini’s
critics, Lilliu, Ducati, Orsi, and other archaeologists. Their work has
pushed back the frontiers of Italian history nearly two millennia, and
revealed to us how the energy and capacity for creative borrowing of
provincial Italians contributed to the ultimate strength and coherence
of the Roman state, or how the Italians fought the Romans when they
proved high-handed. To Roman culture of historical times another great
contribution was made by the Etruscans.
2
The Etruscans
Between Tiber and Arno there flourished, while Rome was still a
collection of mud huts above the Tiber ford, a rich, energetic, and
mysterious people, the Etruscans, whose civilization was to influence
Rome profoundly. Their riches have been known to the modern world
ever since the systematic looting of the fabulous wealth of their
underground tombs began, as early as 1489. Visitors to the Vatican and
Villa Giulia Museums in Rome, and, better still, the Archaeological
Museum in Florence, can marvel at the splendid weapons, rich gold-work,
and handsome vases with which more or less scientific grave-robbers
have enriched the collections in the last hundred years. Travellers to
Tarquinia, on the Tuscan seaboard, can wonder at the strange, vivid
paintings and seemingly indecipherable inscriptions on the walls of
mysterious and intricate underground chambers. Etruscan bronze-work
inspired the sculptors of the Renaissance, Etruscan tombs were drawn by
the pen of the great engraver Piranesi, Etruscan cities and cemeteries
were described by perhaps the most interesting author, certainly the
best stylist, who ever wrote on archaeology, the Englishman George
Dennis.
Dennis’ _Cities and Cemeteries of Etruria_, though its last
edition appeared in 1883, is still the best general introduction to
Etruscology. His achievement is the more remarkable in the light of
the conditions under which he worked: execrable roads, worse lodging,
and malaria stalking the whole countryside. In his day Etruscan tombs
were exploited exclusively in the interest of the art dealers, with
methods utterly unscientific. Artifacts without commercial value were
ruthlessly destroyed: it is heart-rending to read Dennis’ account of
the rape of Vulci:
Public-domain text, read in full here on John Shaqi.
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