The Mute Stones Speak: The Story of Archaeology in Italy — John Shaqi
The Mute Stones Speak: The Story of Archaeology in ItalyMacKendrick, Paul Lachlan
History
The Mute Stones Speak: The Story of Archaeology in Italy
MacKendrick, Paul Lachlan
Italy -- Antiquities
“Our astonishment was only equalled by our indignation when we
saw the labourers dash [coarse pottery of unfigured and ...
unvarnished ware, and a variety of small articles in black clay] to
the ground as they drew them forth, and crush them beneath their
feet as things ‘cheaper than seaweed.’ In vain I pleaded to save
some from destruction; for though of no remarkable worth, they
were often of curious and elegant forms, and valuable as relics of
the olden time, not to be replaced; but no, it was all _roba di
schiocchezza_--‘foolish stuff’--the [foreman] was inexorable; his
orders were to destroy immediately whatever was of no pecuniary
value, and he could not allow me to carry away one of these relics
which he so despised.”
Unfortunately, looting of this kind produced much of the material
in our museums, whose precise findspots (from the German _Fundort_,
the precise place where an archaeologically significant object was
found) are consequently often not known. On the other hand scientific
excavation, when it came, in the mid-nineteenth century found still
some tombs unplundered.
Our knowledge of Etruscan civilization is almost entirely a triumph
of this modern scientific archaeology, since written Etruscan, with
no known affinities, is still largely undeciphered, though scientific
methods have made large strides possible. In the last three
generations archaeologists have attacked and in great measure solved
the problem of the origin of the Etruscans, the nature of their cities,
their political organization, their religious beliefs and practices,
the degree of originality in their creative arts, their life and
customs. The result is a composite picture of the greatest people to
dominate the Italian peninsula before the Romans.
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Public-domain text, read in full here on John Shaqi.
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