The Mute Stones Speak: The Story of Archaeology in ItalyMacKendrick, Paul Lachlan
History
The Mute Stones Speak: The Story of Archaeology in Italy
MacKendrick, Paul Lachlan
Italy -- Antiquities
equipped for the next world. This tomb is as good as a documentary
film; nothing ever found by archaeology brings Etruscan daily life more
vividly before our eyes.
While the Tomb of the Reliefs is full of homely details of Etruscan
life, the Regolini-Galassi tomb, also at Cerveteri, was crammed with
objects of conspicuous consumption and conspicuous waste. The tomb
is named for its discoverers, General Alessandro Regolini and Fr.
Vincenzo Galassi, arch-priest of Cerveteri in 1836. Its contents are
datable in the eighth or seventh century B.C. It consists of a long
narrow entrance-way or _dromos_, two oval side-chambers, and a long
narrow main tomb-chamber roofed with a false vault, “now,” says Dennis,
“containing nothing but slime and serpents.” When it was entered
through a hole in the roof on April 21, 1836, an incredible treasure of
gold, silver, bronze, and ceramics, over 650 objects in all, burst upon
the workmen’s gaze. All was cleared with feverish haste in less than
twenty-four hours, and no detailed inventory was compiled until seventy
years later. The riches are fabulous; to quote Dennis again, “here the
youth, the fop, the warrior, the senator, the priest, the belle, might
all suit their taste for decoration--in truth a modern fair one need
not disdain to heighten her charms with these relics of a long past
world.” In those days, Etruscan objects were not allowed to languish
in a museum. A report of 1839 states, “a few winters ago the Princess
of Canino [wife of Lucien Bonaparte] appeared at some of the [British]
ambassador’s fêtes with a _parure_ of Etruscan jewellery which was the
envy of the society, and excelled the _chefs-d’oeuvre_ of Paris or
Vienna.” Though the contents of the tomb have been now for many years
the pride of the Gregorian Museum in the Vatican, the definitive
publication did not appear until 1947.
Public-domain text, read in full here on John Shaqi.
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