The Mysterious Box: Nuclear Science and Art — John Shaqi
The Mysterious Box: Nuclear Science and ArtKeisch, Bernard
Science
The Mysterious Box: Nuclear Science and Art
Keisch, Bernard
Painting -- Radiography -- Juvenile literature
The silver discs prepared from the two samples were each placed in an
instrument called an alpha-particle spectrometer. This instrument is
extremely sensitive and can measure the very small amounts of
polonium-210 prepared from the tiny sample of paint that they started
with.
While the instruments were making the measurements, which took a couple
of days, the chemist turned to the remaining solutions and began the
analyses for radium.
[Illustration: _A painting being sampled under a stereo-binocular
microscope._]
[Illustration: _Lead white weighing twenty-thousandths of a gram (20
milligrams). This is the amount needed to measure lead-210 and
radium-226 to determine if the lead white is old._]
In a series of chemical steps, he purified the solutions, removing the
lead and other materials so that finally he had a small amount of
solution that contained little else but the original radium and a very
small amount of barium (an element that he deliberately added and one
which is very similar to radium in its chemical properties). By adding
dilute sulfuric acid, he prepared an insoluble material, barium sulfate,
which was barely visible suspended in the solution.
[Illustration: _Polonium plating apparatus. A heated solution of
lead white in acetic acid is stirred with silver discs for 4 to 8
hours._]
[Illustration: _The disc above appears clean after removal, but on
its surface it retains a minute amount of polonium which can be
measured._]
By forcing the solution through a special thin plastic filter having
tiny holes, the particles of barium sulfate together with the radium
that had been in the solution were caught on the surface of the filter.
This was mounted on a solid disc so that it too could be placed in the
alpha-particle spectrometer for the measurement of radioactivity from
the radium.
Two weeks later the results were ready. Dad, the boys, and one of the
experts from the museum met with the chemist to discuss them. For one of
the two paintings, the polonium-210 radioactivity was about ten times
that of the radium activity. The boys were disappointed because this
meant that the painting could not have been 300 or 400 years old as it
first appeared to be.
[Illustration: _An alpha-particle spectrometer is used to measure
the radioactivity of the radium and polonium prepared from the lead
white._]
[Illustration: _A plastic disc on which is cemented a filter
containing a nearly invisible deposit of barium sulfate (BaSO₄) that
“carried” the radium._]
But in the second painting the radioactivity from the polonium-210 and
from the radium-226 were just about equal. That meant that this painting
was at least 100 years old and, from its appearance, probably more. The
boys were excited.
“We have a really valuable painting!” said Martin.
“Not so fast, boys,” cautioned Dad. “We don’t know who painted it and we
don’t know exactly how old it is.”
Public-domain text, read in full here on John Shaqi.
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