Phew, what a musty smell! Most oppressive. The blinds were drawn
half-way down the windows and, by the look of them, had been so for some
considerable time. The furniture that remained was all hidden under
holland sheets, and the pictures on the walls, draped in dust-proof
coverings, looked like the slabs of salted beef, and the sides of
smoke-cured pork one sees hung in some farmhouses. The carpets were
dusty, moth-eaten and rotten.
Gingerly, with thumb and forefinger, I picked up the corners of some of
the furniture coverings. There was nothing but the furniture
underneath, except in one instance, where I saw, upon an easy-chair, a
plate with some mouldy remnants of food upon it. No wonder the
atmosphere was foetid.
I was about to leave the room, glad to get out of it, when I noticed in
a corner of the ceiling a dark, yellow-brown stain, about a yard in
circumference. This struck me as curious, and I went over and stood
under it, and gazed up at it, endeavouring to discover its origin. Then
I saw that it was moist. I pulled up one of the blinds in order to see
better, but my scrutiny failed to give me any inkling as to the origin
of the stain.
I went out, shut and locked the door, and entered several other rooms,
the doors of all of which I found locked. One room was very like
another, the only difference being that the smell in some was closer and
nastier than the smell in others, though all the smells had, what I may
call the same "flavour"--a "taste" of dry rot. I wondered if Sir
Charles knew how his house was being neglected, how dirt and dust were
being allowed to accumulate.
This was Lady Thorold's boudoir, if I remembered aright. The inside of
the lock was so rusty that I had difficulty in turning the key.
Everything shrouded, as elsewhere, but, judging from the odd projections
in the coverings, I concluded that ornaments and bric-a-brac had been
left upon the tables.
Nor was I mistaken. As I lifted the cloths and dust sheets, objects
that I remembered seeing set about the room in the old days, became
revealed. There were several beautiful statues, priceless pieces of
antique furniture from Naples and Florence, curious carved wooden
figures that Sir Charles had collected during his travels in the
Southern Pacific, cloisonne vases from Tokio and Osaka, a barely decent
sculpture bought by Sir Charles from a Japanese witch-doctor who lived a
hermit's life on an island in the Inland Sea--how well I remembered Lady
Thorold's emphatic disapproval of this figure, and her objection to her
husband's displaying it in the way he did--treasures from different
parts of China, from New Guinea, Burmah, the West Indies and elsewhere.
Public-domain text, read in full here on John Shaqi.
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