Another cloth I lifted. Beneath it were a number of photographs in
frames, piled faces downward in heaps. I picked up some of them, and
took them out to look at. A picture of Vera in a short frock, with a
teddy-bear tucked under her arm, interested me; so did a portrait of
Lady Thorold dressed in a fashion long since past; and so did a portrait
of my old father in his Guards uniform. The rest were portraits of
people I didn't know. I looked at one or two more, and was about to
replace the frames where I had found them, when I turned up one that
startled me.
It was a cabinet, in a bog-oak frame, of the man whose likeness had
caused the commotion at Houghton, the man who had called himself
Smithson. But it was not a portrait similar to the one I had taken
away. The same man, undoubtedly, but in a different attitude, and
apparently many years younger.
Closely I scrutinised it.
The enigma presented was complete. I am not a pilferer, but I
considered that I should be justified in putting the portrait into my
pocket, and I did so without another thought. Then I replaced all the
frames where I had found them, and resumed my ramble over the house.
In the rest of the rooms on that floor, I found nothing further of
interest. On the floor above, however, a surprise was in store for me.
The first two rooms were bedrooms, neglected-looking and very dusty.
There were fewer coverings here. Dust was upon the floor, on the beds,
on the chairs and tables, on the window-sills, on the wash-stands, on
the chests of drawers, on the mantelpiece--everywhere. In the next
room, the door of which I was surprised to find unlocked, just the same.
A table of dark mahogany was thickly coated with dust.
Hullo! Why, what was this? I thought at once of a detective friend of
mine, and wondered what he would have said, what opinion he would have
formed and what conclusion he would have come to, had he been in my
place at that moment. For on the table, close to the edge of it, was
the clear outline of a hand. Someone had quite recently--apparently
within the last few hours, and certainly since the previous day--put his
hand upon that dusty table. I scanned the outline closely; then
suddenly I started.
There could be no doubt whatever--it was not the outline of Taylor's
hand. The fingers that had rested there were long and tapering. This
was not the impression of a man's hand, but of a woman's--of a woman's
left hand.
Public-domain text, read in full here on John Shaqi.
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