The Mystery of Murray Davenport: A Story of New York at the Present DayStephens, Robert Neilson
General
The Mystery of Murray Davenport: A Story of New York at the Present Day
Stephens, Robert Neilson
New York (N.Y.) -- Fiction
may have been mere vanity; it may have been--more probably was--a desire
to keep to himself even the author's prestige, to serve him in future
transactions of the same sort. In any case, he had created evidence of
his authorship, and destroyed all existing proof of mine. He had made
good terms,--a percentage on a sliding scale; one thousand dollars down
on account. It was out of that thousand that he paid me the five hundred.
The play was a great money-winner; Bagley's earnings from it were more
than twenty thousand dollars in two seasons. That is the sum I should
have had if I had submitted the play to the same actor, as I had intended
to do. I made a stir in the newspapers for awhile; told my tale to
managers and actors and reporters; started to take it to the courts, but
had to give up for lack of funds; in short, got myself the name, as I
told you today, of a man with a grievance. People smiled tolerantly at my
story; it got to be one of the jokes of the Rialto. Bagley soon hit on
the policy of claiming the authorship to my face, and pretending to treat
my assertion charitably, as the result of a delusion conceived in
illness. You heard him tonight. But it no longer disturbs me.”
“Has he ever written any plays of his own? Or had any more produced over
his name?” asked Larcher.
“No. He put the greater part of his profits into theatrical management.
He multiplied his investment. Then he 'branched out;' tried Wall Street
and the race-tracks; went into real estate. He speculates now in many
things. I don't know how rich he is. He isn't openly in theatrical
management any more, but he still has large interests there; he is what
they call an 'angel.'”
“He spoke of being your good angel.”
“He has been the reverse, perhaps. It's true, many a time when I've been
at the last pinch, he has come to my rescue, employing me in some affair
incidental to his manifold operations. Unless you have been hungry, and
without a market for your work; unless you have walked the streets
penniless, and been generally 'despised and rejected of men,' you,
perhaps, can't understand how I could accept anything at his hands. But
I could, and sometimes eagerly. As soon as possible after our break, he
assumed the benevolent attitude toward me. I resisted it with proper
scorn for a time. But hard lines came; 'my poverty but not my will'
consented. In course of time, there ceased to be anything strange in the
situation. I got used to his service, and his pay, yet without ever
compounding for the trick he played me. He trusts me thoroughly--he
knows men. This association with him, though it has saved me from
desperate straits, is loathsome to me, of course. It has contributed as
much as anything to my self-hate. If I had resolutely declined it, I
might have found other resources at the last extremity. My life might
have taken a different course. That is why I say he has been, perhaps,
the reverse of a good angel to me.”
Public-domain text, read in full here on John Shaqi.
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