The Mystery of Murray Davenport: A Story of New York at the Present Day — John Shaqi
The Mystery of Murray Davenport: A Story of New York at the Present DayStephens, Robert Neilson
General
The Mystery of Murray Davenport: A Story of New York at the Present Day
Stephens, Robert Neilson
New York (N.Y.) -- Fiction
“But you must have written other plays,” pursued Larcher.
“Yes; and have even had three of them produced. Two had moderate success;
but one of those I sold on low terms, in my eagerness to have it accepted
and establish a name. On the other, I couldn't collect my royalties. The
third was a failure. But none of these, or of any I have written, was up
to the level of the play that Bagley dealt with. I admit that. It was my
one work of first-class merit. I think my poor powers were affected by my
experience with that play; but certainly for some reason I
'... never could recapture
The first fine careless rapture.'
I should have been a different man if I had received the honor and the
profits of that first accepted play of mine.”
“I should think that, as Bagley is so rich, he would quietly hand you
over twenty thousand dollars, at least, for the sake of his conscience.”
“Men of Bagley's sort have no conscience where money is concerned. I used
to wonder just what share of his fortune was rightly mine, if one knew
how to estimate. It was my twenty thousand dollars he invested; what
percentage of the gains would belong to me, giving him his full due for
labor and skill? And then the credit of the authorship,--which he flatly
robbed me of,--what would be its value? But that is all matter for mere
speculation. As to the twenty thousand alone, there can be no doubt.”
“And yet he said tonight he would trust you with every dollar he had in
the world.”
“Yes, he would.” Davenport smiled. “He knows that _I_ know the difference
between a moral right and a legal right. He knows the difficulties in
the way of any attempt at self-restitution on my part,--and the
unpleasant consequences. Oh, yes, he would trust me with large sums; has
done so, in fact. I have handled plenty of his cash. He is what they call
a 'ready-money man;' does a good deal of business with bank-notes of high
denomination,--it enables him to seize opportunities and make swift
transactions. He should interest you, if you have an eye for character.”
Upon which remark, Davenport raised his cup, as if to finish the coffee
and the subject at the same time. Larcher sat silently wondering what
other dramas were comprised in the history of his singular companion,
besides that wherein Bagley was concerned, and that in which the fickle
woman had borne a part. He found himself interested, on his own account,
in this haggard-eyed, world-wearied, yet not unattractive man, as well
as for Miss Hill. When Davenport spoke again, it was in regard to the
artistic business which now formed a tie between himself and Larcher.
Public-domain text, read in full here on John Shaqi.
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