The Mystery of Murray Davenport: A Story of New York at the Present DayStephens, Robert Neilson
General
The Mystery of Murray Davenport: A Story of New York at the Present Day
Stephens, Robert Neilson
New York (N.Y.) -- Fiction
A few minutes after the end of another half-hour, Mr. Larcher put up his
umbrella to the rain again, and made his way back to Sixth Avenue and a
car. Pleasurable reflections upon the half-hour, and the additional
minutes, occupied his mind for awhile, but gave way at last to
consideration of the Murray Davenport business, and the strangeness
thereof, which lay chiefly in Edna Hill's desire for such intimate news
about a man she had never seen. Whose happiness could depend on getting
that news? What, in fine, was the secret of the affair? Larcher could
only give it up, and think upon means for the early accomplishment of his
part in the matter. He had decided to begin immediately, for his first
inquiries would be made of men who kept late hours, and with whose
midnight haunts he was acquainted.
He stayed in the car till he had entered the region below Fourteenth
Street. Getting out, he walked a short distance and into a basement,
where he exchanged rain and darkness for bright gaslight, an atmosphere
of tobacco smoke mixed with the smell of food and cheap wine, and the
noisy talk of a numerous company sitting--for the most part--at long
tables whereon were the traces of a _table d'hôte_ dinner. Coffee and
claret were still present, not only in cups, bottles, and glasses, but
also on the table-cloths. The men were of all ages, but youth
preponderated and had the most to say and the loudest manner of saying
it. The ladies were, as to the majority, unattractive in appearance,
nasal in voice, and unabashed in manner. The assemblage was, in short,
a specimen of self-styled, self-conscious Bohemia; a far-off,
much-adulterated imitation of the sort of thing that some of the young
men with halos of hair, flowing ties, and critical faces had seen in
Paris in their days of art study. Larcher made his way through the crowd
in the front room to that in the back, acknowledging many salutations.
The last of these came from a middle-sized man in the thirties, whose
round, humorous face was made additionally benevolent by spectacles, and
whose forward bend of the shoulders might be the consequence of studious
pursuits, or of much leaning over café-tables, or of both.
“Hello, Barry Tompkins!” said Larcher. “I've been looking for you.”
Mr. Tompkins received him with a grin and a chuckle, as if their meeting
were a great piece of fun, and replied in a brisk and clean-cut manner:
“You were sure to find me in the haunts of genius.” Whereat he looked
around and chuckled afresh.
Larcher crowded a chair to Mr. Tompkins's elbow, and spoke low:
“You know everybody in newspaper circles. Do you know a man named Murray
Davenport?”
“I believe there is such a man--an illustrator. Is that the one you
mean?”
“I suppose so. Where can I find him?”
“I give it up. I don't know anything about him. I've only seen some of
his work--in one of the ten-cent magazines, I think.”
“I've got to find him, and make his acquaintance. This is in confidence,
by the way.”
Public-domain text, read in full here on John Shaqi.
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