The Mystery of Murray Davenport: A Story of New York at the Present DayStephens, Robert Neilson
General
The Mystery of Murray Davenport: A Story of New York at the Present Day
Stephens, Robert Neilson
New York (N.Y.) -- Fiction
“All right. Have you looked in the directory?”
“Not yet. The trouble isn't so much to find where he lives; there are
some things I want to find out about him, that'll require my getting
acquainted with him, without his knowing I have any such purpose. So the
trouble is to get introduced to him on terms that can naturally lead up
to a pretty close acquaintance.”
“No trouble in that,” said Tompkins, decidedly. “Look here. He's an
illustrator, I know that much. As soon as you find out where he lives,
call with one of your manuscripts and ask him if he'll illustrate it.
That will begin an acquaintance.”
“And terminate it, too, don't you think? Would any self-respecting
illustrator take a commission from an obscure writer, with no certainty
of his work ever appearing?”
“Well, then, the next time you have anything accepted for publication,
get to the editor as fast as you can, and recommend this Davenport to do
the illustrations.”
“Wouldn't the editor consider that rather presumptuous?”
“Perhaps he would; but there's an editor or two who wouldn't consider it
presumptuous if _I_ did it. Suppose it happened to be one of those
editors, you could call on some pretext about a possible error in the
manuscript. I could call with you, and suggest this Davenport as
illustrator in a way both natural and convincing. Then I'd get the editor
to make you the bearer of his offer and the manuscript; and even if
Davenport refused the job,--which he wouldn't,--you'd have an opportunity
to pave the way for intimacy by your conspicuous charms of mind and
manner.”
“Be easy, Barry. That looks like a practical scheme; but suppose he
turned out to be a bad illustrator?”
“I don't think he would. He must be fairly good, or I shouldn't have
remembered his name. I'll look through the files of back numbers in my
room to-night, till I find some of his work, so I can recommend him
intelligently. Meanwhile, is there any editor who has something of yours
in hand just now?”
“Why, yes,” said Larcher, brightening, “I got a notice of acceptance
to-day from the _Avenue Magazine_, of a thing about the rivers of New
York City in the old days. It simply cries aloud for illustration.”
“That's all right, then. Rogers mayn't have given it out yet for
illustration. We'll call on him to-morrow. He'll be glad to see me; he'll
think I've come to pay him ten dollars I owe him. Suppose we go now and
tackle the old magazines in my room, to see what my praises of Mr.
Davenport shall rest on. As we go, we'll look the gentleman up in the
directory at the drug-store--unless you'd prefer to tarry here at the
banquet of wit and beauty.” Mr. Tompkins chuckled again as he waved a
hand over the scene, which, despite his ridicule of the pose and conceit
it largely represented, he had come by force of circumstances regularly
to inhabit.
Public-domain text, read in full here on John Shaqi.
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