The Mystery of the Lost Dauphin (Louis XVII)Pardo Bazán, Emilia, condesa de
General
The Mystery of the Lost Dauphin (Louis XVII)
Pardo Bazán, Emilia, condesa de
Louis XVII, of France, 1785-1795 -- Fiction
Back of the armchair and desk, which were superb specimens of Louis
Quinze furniture, stood a book-case richly paneled and containing among
its choicest volumes, editions of Plantin and Manuce, bound in morocco
and Spanish-American calf. On the right, back of the screen, which
concealed it was a costly piano awaiting the touch of fingers that were
wont to interpret its enchanting secrets.
Before the desk and at the feet of the armchair was spread--a present
from the Countess Cayla--a white bearskin, upon which lay a diminutive
dog with black mouth and silken hair, one of those cunning miniatures
which today are a fad in France, but at that time were rarely seen.
It was near five o'clock when a side door opened and the king entered,
supported, almost carried, by two attendants. The dog leaped for joy and
covered the monarch's feet with caresses. Sighing deeply, his Majesty
dropped into an easy-chair near a window. He suffered from a life-long
malady, in spite of which an active spirit stirred within him. To look
upon him made one quickly see the force of Marquis de Semonville's
remark: "How could one expect his Majesty to forgive his brother for
walking?"
Having settled himself in the easy-chair, his bandaged legs and swollen
feet propped with cushions, he took a pinch of snuff from a jeweled case
and said: "Summon Baron Lecazes."
Awaiting the execution of his order, the king cast his eyes over the
enchanting view from the open window. The western sky was like molten
gold and, against this brilliant background the sombre trees took on the
look of bronze bas reliefs. The spraying fountains tossed up in dazzling
glee myriads of fantastic aquiform flower-petals, charming the eye and
cooling the atmosphere. A sweet, voluptuous peace pervaded the
apartment, the garden perfume mingling with that of unfolding
narcissuses and springtide hyacinths in jardinieres. It was with
unfeigned delight that the royal personage sated his esthetic nature
amidst these rich and varied offerings to the senses, and on such
occasions he was given to saying to himself, as though he might never
enjoy its like again:
"'Tis an elysian hour. Let us lose none of its nectar."
Always lurking behind this sentiment was the conviction: "Life is brief,
whatever the number of its days. A breathing, a striving, a sighing,
and then--who can tell? Eternal mystery."
Giving himself up to the play of his imagination, the king seemed to
hear the onrushing and receding of the tides of human destiny through
the centuries, now holding high, then sweeping to their fall, the
splendors of earth's thrones and dynasties. Was he also to be soon
submerged in those merciless tides and dashed about like a straw? O,
before sinking into the deeps, how he wished to live and feel the
complete man!--to have health and a day--and laugh to scorn all the
fears of frail humanity.
Public-domain text, read in full here on John Shaqi.
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