The Mystery of the Lost Dauphin (Louis XVII)Pardo Bazán, Emilia, condesa de
General
The Mystery of the Lost Dauphin (Louis XVII)
Pardo Bazán, Emilia, condesa de
Louis XVII, of France, 1785-1795 -- Fiction
"Were I but strong!" he at times exclaimed in rage. "Might I but love,
suffer, weave into my life the thread of a romantic adventure. But this
despicable body!--this diseased and impotent flesh!--"
His eyes wandered from the garden view to the objects of art around him.
He enjoyed in them the fruition of artistic beauty rescued from
voracious Time. They seemed to smile to him like the choicest friends.
In these and such as these he found more real contentment than in aught
else.
"I am very like an Athenian, or a Roman contemporary of Horace," he
assured himself complacently. Correct lines and classic symmetry
transported him so much that the vision was at times inspired within him
of his own person restored to health, with rich and virile blood
coursing through his veins.
Suddenly his face grew haggard and his head fell on the back of the
chair, a shadow obscuring his Bourbonic countenance, so like that of his
decapitated brother, though it lacked the placid benevolence of that
unfortunate monarch's face encircled in curls which terminated in a cue.
In the reigning Louis's face that benevolent look was replaced by an
expression of sordid indifference or of caustic irony.
The king's collapse had been caused by the sight of a man standing in
the garden opposite the window, near the statue: "A wrestler preparing
for the Combat." The man's keen eye was fixed upon the monarch. He was
of a weazened type and might be of any age between eighty and ninety,
for there is a limit beyond which the passage of time is not apparent in
the human form. His head shone like burnished silver, his bristly
eye-brows surmounted prophetic eyes and his knotty hands, upon which his
chin was leaning, rested on a rough staff. His garb was that of the
provinces--where tradition and superstition held sway and druids still
sharpened the ax beneath the trees--loose gaskins, wooden shoes, woolen
scarf and embroidered jacket over a white vest. As a whole the attire
was picturesque and the passers-by turned to gaze attentively at the old
man, an ideal model for a painter wishing to personify the past.
The king, attracted by the strange figure, prolonged his stare, then
suddenly turned his eyes upon the pompous usher and the Superintendent
of Police, who advanced making a profound salutation.
After taking the seat designated by the monarch, Lecazes inquired
solicitously:
"Does your Majesty improve in health?"
"The vulture does not tire of preying upon me. Believe me, Baron, the
lives of all men make up equal totals. To reign, having disabled limbs,
or to break stone, having nimble ones--'tis a balance. No, I am in
error. To break stone, under such conditions, is preferable. After all,
the breakers of stone can make love and be merry, while an invalid like
me--Poor Zoe! poor Countess! 'Tis true that she and I adore genius and
beauty. Who can deprive us of those joys?"
The baron's facial muscles assented.
"What of the English doctor?" he asked.
Public-domain text, read in full here on John Shaqi.
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