The ugly fascination of the witch-face had laid hold, too, on the stranger. Twice he had sought to photograph it, and Constant Hite had watched him with an air of lenient indulgence to folly as he pottered about, now adjusting his camera, now changing his place anew. "And I believe I have got the whole amount of nothing at all," he said at last, looking up breathlessly at the mountaineer. Albeit the wind was fresh and the altitude great, the sun was hot on the unshaded red clay path, and the nimble gyrations of the would-be artist brought plentiful drops to his brow. He took off his straw hat, and mopped his forehead with his handkerchief, while he stared wistfully at the siren of his fancy, grimacing maliciously at him from the slope above. "If the confounded old woman would hold still, and not disappear so suddenly at the wrong minute, I'd have had her charming physiognomy all correct. I believe I've spoiled my plates,--that's all." And once more he mopped his bedewed forehead. He was a man of thirty-five, perhaps, of the type that will never look old or grow perceptibly gray. His hair was red and straight, and cut close to his head. He had a long mustache of the same sanguine tint. The sun had brought the blood near the surface of his thin skin, and he looked hot and red, and thoroughly exasperated. His brown eyes were disproportionately angry, considering the slight importance of his enterprise. He was evidently a man of keen, quick temper, easily aroused and nervous. His handsome, well-groomed horse was fractious, and difficult for so impatient a rider to control. His equestrian outfit once more attracted the covert glance of Con Hite, whose experience and observation could duplicate no such attire. He was tall, somewhat heavily built, and altogether a sufficiently stalwart specimen of the genus "town man." "I'll tell you what I'll do!" he exclaimed suddenly. "I'll sketch the whole scene!" "Now you're shoutin'," said Con Hite capably, as if he had always advocated this method of solving the difficulty. His interlocutor could not for a moment have dreamed that he had never before seen a camera, had never heard of a photograph, had not the least idea of what the process of sketching might be which he so boldly approved; nay, the very phrase embodying his encouragement of the project was foreign to his vocabulary,--a bit of sophisticated slang which he had adopted from his companion's conversation, and readily assimilated. "You stay just where you are!" cried the stranger, his enthusiasm rising to the occasion; "just that pose,--that pose precisely."