The Mystery of Witch-Face Mountain, and Other Stories — John Shaqi
The Mystery of Witch-Face Mountain, and Other StoriesCraddock, Charles Egbert
General
The Mystery of Witch-Face Mountain, and Other Stories
Craddock, Charles Egbert
Cumberland Mountains -- Fiction; Mountain life -- Fiction; Tennessee -- Social life and customs -- Fiction
He ran swiftly across the path to remove the inefficient camera from
the foreground, and in a moment was seated on a log by the wayside,
his quick eye scanning the scene: the close file of the ranges about
the horizon, one showing above another, and one more faintly blue
than another, for thus the distance was defined; then the amphitheatre
of the Cove, the heavy bronze-green slopes of the mountains, all with
ripple marks of clear chrome-green ruffling in the wake of the wind;
in the middle distance the still depths of the valley below, with
shadows all a-slumber and silent, and on the projecting spur the
quiet, lonely little house, so slight a suggestion of the presence of
man amidst the majestic dominance of nature; here, to the right,
across the savage gorge, with its cliffs and with its currents in the
deep trough, the nearest slope of the mountain, with the great gaunt
bare space showing that face of ill omen, sibylline, sinister,
definite indeed,--he wondered how his eyes were holden that he should
not have discerned it at once; and in the immediate foreground the
equestrian figure of the mountaineer, booted and spurred, the very
"moral," as Hite would have called it, of an athlete, with his fine
erect pose distinct against the hazy perspective, his expression of
confident force, the details of his handsome features revealed by the
brim of his wide black hat turned up in front.
"It's a big subject, I know; I can't get it all in. I shall only
suggest it. Just keep that pose, will you? Hold the horse still.
'Stand the storm, it won't be long!'" the artist said, smiling with
renewed satisfaction as his pencil, not all inapt, went briskly to
work on the horizontal lines of the background.
But it was longer than he had thought, so still sat the contemplative
mountaineer, so alluring were the details of the landscape. The
enthusiasm of the amateur is always a more urgent motive power than
the restrained and utilitarian industry of the professional.
Few sworn knights of the crayon would have sat sketching so long in
that temperature as he did, with the sun blazing through his straw hat
and his blood mustering under his thin skin; but he stopped at a point
short of sunstroke, and it was with a tumultuous sense of success that
he at last arose, and, with the sketch-book still open, walked across
the road and laid it on the pommel of the mountaineer's saddle.
Constant Hite took it up suspiciously and looked at it askance. It is
to be doubted if ever before he had seen a picture, unless perchance
in the primary reading-book of his callow days at the public school,
spasmodically opened at intervals at the "church house" in the Cove.
He continued to gravely gaze at the sketch, held sideways and almost
reversed, for some moments.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account